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Transforming Middlemarch: A Genetic Edition of Andrew Davies' Adaptation of George Eliot's Novel

Below is a complete list of metadata for all of the assets featured in the Genetic Edition. As well as one complete list, assets have also been arranged by Episode based on Andrew Davies' annotated Shooting Script as found in the Genetic Edition.

Complete Asset List. Total Assets: 286

Ref Code
Title
Description
Creator
Date
Format
Extent
Source
Alt Text
A-01 Annotation 1: Shooting Script. Episode 2. Cast list, Page i (2/i) One page with five comments down the margin to summarise the main changes to Episode 2: 1. Note to include an element on the 'best horse'. 2. Note re. 2-43 [illegible]. 3. Note re. 2-52- too repetitive. 4. 2/87-90 noted. 5. 110 - note that it is best to end on Rosamund and Lydgate. Andrew Davies, Screenwriter for Middlemarch 1993-02-16 .png 1 page D/061/A/043/A/04 Shooting Script Episode 2 From the Papers of Andrew Davies, Screenwriter. Held at De Montfort University Special Collections, Leicester, UK. https://specialcollections.catalogue.dmu.ac.uk/records/D/061/A/043/A/04 Original typed script with handwritten annotations. See transcript.
A-02 Annotation 2: Shooting Script. Episode 2. Scene 27 (2/27), Page 43 (2/43) One page with two comments 1. Notes at the top of the page refer to the number of 'pages on' Episode 2 in relation to the 'horse buying plot'. 2. Chicheley and Wrench's dialogue is circled with a recommendation to 'cut'. Andrew Davies, Screenwriter for Middlemarch 1993-02-16 .png 1 page D/061/A/043/A/04 Shooting Script Episode 2 From the Papers of Andrew Davies, Screenwriter. Held at De Montfort University Special Collections, Leicester, UK. https://specialcollections.catalogue.dmu.ac.uk/records/D/061/A/043/A/04 Original typed script with handwritten annotations. See transcript.
A-03 Annotation 3: Shooting Script. Episode 2. Scene 31 (2/31), Page 52 (2/52) One page with one comment and one insertion of replacement lines: 1 . Notes next to circled four lines, a repetition of lines by Brooke after ‘young men with bold ideas...’ 2. Changes to these four lines noted as ‘…and pens! Yes, excellent. Quite!’ Andrew Davies, Screenwriter for Middlemarch 1993-02-16 .png 1 page D/061/A/043/A/04 Shooting Script Episode 2 From the Papers of Andrew Davies, Screenwriter. Held at De Montfort University Special Collections, Leicester, UK. https://specialcollections.catalogue.dmu.ac.uk/records/D/061/A/043/A/04 Original typed script with handwritten annotations. See transcript.
A-04 Annotation 4: Shooting Script. Episode 2. Scene 52 (2/52), Page 87 (2/87) One page with one correction: 1. Note to correct word 'almost' to 'about' in Dorothea's dialogue. Andrew Davies, Screenwriter for Middlemarch 1993-02-16 .png 1 page D/061/A/043/A/04 Shooting Script Episode 2 From the Papers of Andrew Davies, Screenwriter. Held at De Montfort University Special Collections, Leicester, UK. https://specialcollections.catalogue.dmu.ac.uk/records/D/061/A/043/A/04 Original typed script with handwritten annotations. See transcript.
A-05 Annotation 5: Shooting Script. Episode 2. Scene 54 (2/54), Page 90 (2/90) One page with one insertion of replacement lines, and two comments: 1. Note to change the second part of Brooke's speech - suggesting he could write to Ladislaw about coming to Middlemarch. 2. Note that inference is that Brooke will write to Ladislaw and this will mean letter-writing scene can be cut. 3. Note at foot of page in capitals that it is best to end Episode 2 with Rosamond and Lydgate and start Episode 3 with Ladislaw's return. Andrew Davies, Screenwriter for Middlemarch 1993-02-16 .png 1 page D/061/A/043/A/04 Shooting Script Episode 2 From the Papers of Andrew Davies, Screenwriter. Held at De Montfort University Special Collections, Leicester, UK. https://specialcollections.catalogue.dmu.ac.uk/records/D/061/A/043/A/04 Original typed script with handwritten annotations. See transcript.
A-06 Annotation 6: Shooting Script. Episode 2. Scene 55 (2/55), Page 91 (2/91) One page with one comment: 1. in the street. Andrew Davies, Screenwriter for Middlemarch 1993-02-16 .png 1 page D/061/A/043/A/04 Shooting Script Episode 2 From the Papers of Andrew Davies, Screenwriter. Held at De Montfort University Special Collections, Leicester, UK. https://specialcollections.catalogue.dmu.ac.uk/records/D/061/A/043/A/04 Original typed script with handwritten annotations. See transcript.
A-07 Annotation 7: Shooting Script. Episode 3. Cast list, Page i (3/i) One page with six page numbers down the margin to summarise the locations of changes to Episode 3 and one question: 1. Note of six page numbers: 47, 85, 94, 104, 105, 116.2. Question on whether the opening of Episode 3 should be Ladislaw. Andrew Davies, Screenwriter for Middlemarch 1993-02-16 .png 1 page D/061/A/043/A/05 Shooting Script Episode 3. From Papers of Andrew Davies, Screenwriter. Held at De Montfort University Special Collections, Leicester, UK https://specialcollections.catalogue.dmu.ac.uk/records/D/061/A/043/A/05 Original typed script with handwritten annotations. See transcript.
A-08 Annotation 8: Shooting Script. Episode 3. Page 6 (3/6) One page with insertion of lines and one comment:1. New lines describe Ladislaw being welcomed to Middlemarch by Brooke. 2. Note explaining new lines are needed here and that the letter scene in episode 2 is not needed. Includes suggestions for soundtrack and performance. Andrew Davies, Screenwriter for Middlemarch 1993-02-16 .png 1 page D/061/A/043/A/05 Shooting Script Episode 3. From Papers of Andrew Davies, Screenwriter. Held at De Montfort University Special Collections, Leicester, UK https://specialcollections.catalogue.dmu.ac.uk/records/D/061/A/043/A/05 Original typed script with handwritten annotations. See transcript.
A-09 Annotation 9: Shooting Script. Episode 3. Page 47 (3/47) One page with one correction and three comments: 1. Note to possibly change order of dialogue with reasoning. 2. Note to correct the word 'much' to 'many things' in Dorothea's dialogue.3. Note to 'change energy' in actor's performance for Dorothea's dialogue. 4. Note next to circled section of Dorothea's dialogue suggesting it should be cut and describing why. Andrew Davies, Screenwriter for Middlemarch 1993-02-16 .png 1 page D/061/A/043/A/05 Shooting Script Episode 3. From Papers of Andrew Davies, Screenwriter. Held at De Montfort University Special Collections, Leicester, UK https://specialcollections.catalogue.dmu.ac.uk/records/D/061/A/043/A/05 Original typed script with handwritten annotations. See transcript.
A-10 Annotation 10: Shooting Script. Episode 3. Page 48 (3/48) One page with six comments: 1. Note on actor performance for Ladislaw's dialogue. 2. Note on directions for Ladislaw and Dorothea to smile at each other.3. Circled dialogue with a comment questioning whether to cut.4. Note at top of the page with an arrow pointing to the previous note. 'Sorry' written in capital letters with an explanation detailing why the dialogue cannot be cut but should be reworked instead. 5. 'intimate' written in brackets to describe actor performance. 6. Note to provide subtext of Ladislaw's dialogue. Andrew Davies, Screenwriter for Middlemarch 1993-02-16 .png 1 page D/061/A/043/A/05 Shooting Script Episode 3. From Papers of Andrew Davies, Screenwriter. Held at De Montfort University Special Collections, Leicester, UK https://specialcollections.catalogue.dmu.ac.uk/records/D/061/A/043/A/05 Original typed script with handwritten annotations. See transcript.
A-11 Annotation 11: Shooting Script. Episode 3. Page 85 (3/85) One page with one comment: 1. Last sentence of Mrs. Garth's dialogue is circled with a recommendation to 'cut'. Andrew Davies, Screenwriter for Middlemarch 1993-02-16 .png 1 page D/061/A/043/A/05 Shooting Script Episode 3. From Papers of Andrew Davies, Screenwriter. Held at De Montfort University Special Collections, Leicester, UK https://specialcollections.catalogue.dmu.ac.uk/records/D/061/A/043/A/05 Original typed script with handwritten annotations. See transcript.
A-12 Annotation 12: Shooting Script. Episode 3. Page 94 (3/94) One page with one comment: 1. 'may' underlined in Lydgate's dialogue with an adjacent note, 'peculiarly'. Andrew Davies, Screenwriter for Middlemarch 1993-02-16 .png 1 page D/061/A/043/A/05 Shooting Script Episode 3. From Papers of Andrew Davies, Screenwriter. Held at De Montfort University Special Collections, Leicester, UK https://specialcollections.catalogue.dmu.ac.uk/records/D/061/A/043/A/05 Original typed script with handwritten annotations. See transcript.
A-13 Annotation 13: Shooting Script. Episode 3. Page 104 (3/104) One page with one comment:1. Note questions whether to cut out the word 'must' in Lydgate's dialogue. Andrew Davies, Screenwriter for Middlemarch 1993-02-16 .png 1 page D/061/A/043/A/05 Shooting Script Episode 3. From Papers of Andrew Davies, Screenwriter. Held at De Montfort University Special Collections, Leicester, UK https://specialcollections.catalogue.dmu.ac.uk/records/D/061/A/043/A/05 Original typed script with handwritten annotations. See transcript.
A-14 Annotation 14: Shooting Script. Episode 3. Page 105 (3/105) One page with one comment: 1. Note next to circled dialogue questioning whether to cut with a corresponding explanation. Andrew Davies, Screenwriter for Middlemarch 1993-02-16 .png 1 Page D/061/A/043/A/05 Shooting Script Episode 3. From Papers of Andrew Davies, Screenwriter. Held at De Montfort University Special Collections, Leicester, UK https://specialcollections.catalogue.dmu.ac.uk/records/D/061/A/043/A/05 Original typed script with handwritten annotations. See transcript.
A-15 Annotation 15: Shooting Script. Episode 3. Page 116 (3/116) One page with one comment: 1. A question mark next to a highlighted section of Casaubon's dialogue. Andrew Davies, Screenwriter for Middlemarch 1993-02-16 .png 1 page D/061/A/043/A/05 Shooting Script Episode 3. From Papers of Andrew Davies, Screenwriter. Held at De Montfort University Special Collections, Leicester, UK https://specialcollections.catalogue.dmu.ac.uk/records/D/061/A/043/A/05 Original typed script with handwritten annotations. See transcript.
A-16 Annotation 16: Shooting Script. Episode 4. Page i (4/i) One page with eight numbers down the margin to summarise the locations of changes to Episode 4 and four comments:1. Note of eight page numbers: 4- 7, 4- 16, 24 -5, 70, 71, 84, 86, 88. 2. [illegible] 3. Note on a missing scene. 4. [illegible] Question 5. [illegible] Andrew Davies, Screenwriter for Middlemarch 1993-02-16 .png 1 page D/061/A/043/A/06 Shooting Script Episode 4. From Papers of Andrew Davies, Screenwriter. Held at De Montfort University Special Collections, Leicester, UK https://specialcollections.catalogue.dmu.ac.uk/records/D/061/A/043/A/06 Original typed script with handwritten annotations. See transcript.
A-17 Annotation 17: Shooting Script. Episode 4. Page 10 (4/10) One page with six comments: 1. Note in brackets at the top of the page with an arrow pointing to a circled section of Lydgate's dialogue suggesting a change.2. Note next to the same circled section of dialogue with a replacement line. 3. 'Treason?' underlined in Mawmsey's dialogue with adjacent note, 'overdosing?'.4. Note on actor performance regarding who Mawmsey should say the line to.5. Insertion of lines for Mawmsey regarding Mrs Mawmsey.6. Note suggesting the scene be kept, but should end differently. Andrew Davies, Screenwriter for Middlemarch 1993-02-16 .png 1 page D/061/A/043/A/06 Shooting Script Episode 4. From Papers of Andrew Davies, Screenwriter. Held at De Montfort University Special Collections, Leicester, UK https://specialcollections.catalogue.dmu.ac.uk/records/D/061/A/043/A/06 Original typed script with handwritten annotations. See transcript.
A-18 Annotation 18: Shooting Script. Episode 4. Page 11 (4/11) One page with one comment: 1. Note with an arrow to Lydgate's dialogue with a note for Lydgate to look at Mawmsey. Andrew Davies, Screenwriter for Middlemarch 1993-02-16 .png 1 page D/061/A/043/A/06 Shooting Script Episode 4. From Papers of Andrew Davies, Screenwriter. Held at De Montfort University Special Collections, Leicester, UK https://specialcollections.catalogue.dmu.ac.uk/records/D/061/A/043/A/06 Original typed script with handwritten annotations. See transcript.
A-19 Annotation 19: Shooting Script. Episode 4. Page 16 (4/16) One page with three comments: 1. Note to add instruction at the end of Dorothea's dialogue. 2. Note to reinstate part of the scene, provides instruction and lines for Lydgate.3. Note in all capitals stating the changes made are 'essential' with consequences. Andrew Davies, Screenwriter for Middlemarch 1993-02-16 .png 1 page D/061/A/043/A/06 Shooting Script Episode 4. From Papers of Andrew Davies, Screenwriter. Held at De Montfort University Special Collections, Leicester, UK https://specialcollections.catalogue.dmu.ac.uk/records/D/061/A/043/A/06 Original typed script with handwritten annotations. See transcript.
A-20 Annotation 20: Shooting Script. Episode 4. Page 24 (4/24) One page with two comments: 1. Suggestion for extra storytelling in the scene. 2. Note asks for the idea to be tried, 'try' is underlined. Andrew Davies, Screenwriter for Middlemarch 1993-02-16 .png 1 page D/061/A/043/A/06 Shooting Script Episode 4. From Papers of Andrew Davies, Screenwriter. Held at De Montfort University Special Collections, Leicester, UK https://specialcollections.catalogue.dmu.ac.uk/records/D/061/A/043/A/06 Original typed script with handwritten annotations. See transcript.
A-21 Annotation 21: Shooting Script. Episode 4. Page 27 (4/27) One page with one comment: 1. Note written at the bottom of the page underneath circled dialogue that finishes the scene. Comment provides a suggestion and lines of extra dialogue between Ladislaw and Lydgate. Andrew Davies, Screenwriter for Middlemarch 1993-02-16 .png 1 page D/061/A/043/A/06 Shooting Script Episode 4. From Papers of Andrew Davies, Screenwriter. Held at De Montfort University Special Collections, Leicester, UK https://specialcollections.catalogue.dmu.ac.uk/records/D/061/A/043/A/06 Original typed script with handwritten annotations. See transcript.
A-22 Annotation 22: Shooting Script. Episode 4. Page 50 (4/50) One page with one comment and a section of crossed out dialogue: 1. Note at the top of the page mentioning Ladislaw. 2. A section of Ladislaw's dialogue is crossed out. Andrew Davies, Screenwriter for Middlemarch 1993-02-16 .png 1 page D/061/A/043/A/06 Shooting Script Episode 4. From Papers of Andrew Davies, Screenwriter. Held at De Montfort University Special Collections, Leicester, UK https://specialcollections.catalogue.dmu.ac.uk/records/D/061/A/043/A/06 Original typed script with handwritten annotations. See transcript.
A-23 Annotation 23: Shooting Script. Episode 4. Page 64 (4/64) One page with one word inserted and couple of underlined words:1. The words 'Baby' and 'wonderful' are underlined in Mrs Cadwallader's dialogue. 2. The word 'promise' has been inserted into Dorothea's dialogue. Andrew Davies, Screenwriter for Middlemarch 1993-02-16 .png 1 page D/061/A/043/A/06 Shooting Script Episode 4. From Papers of Andrew Davies, Screenwriter. Held at De Montfort University Special Collections, Leicester, UK https://specialcollections.catalogue.dmu.ac.uk/records/D/061/A/043/A/06 Original typed script with handwritten annotations. See transcript.
A-24 Annotation 24: Shooting Script. Episode 4. Page 70 (4/70) One page with a crossed out sentence of Dorothea's dialogue and an arrow next to it. Andrew Davies, Screenwriter for Middlemarch 1993-02-16 .png 1 page D/061/A/043/A/06 Shooting Script Episode 4. From Papers of Andrew Davies, Screenwriter. Held at De Montfort University Special Collections, Leicester, UK https://specialcollections.catalogue.dmu.ac.uk/records/D/061/A/043/A/06 Original typed script with handwritten annotations. See transcript.
A-25 Annotation 25: Shooting Script. Episode 4. Page 71 (4/71) One page with a crossed out word of Dorothea's dialogue and an arrow with a question mark next to it. Andrew Davies, Screenwriter for Middlemarch 1993-02-16 .png 1 page D/061/A/043/A/06 Shooting Script Episode 4. From Papers of Andrew Davies, Screenwriter. Held at De Montfort University Special Collections, Leicester, UK https://specialcollections.catalogue.dmu.ac.uk/records/D/061/A/043/A/06 Original typed script with handwritten annotations. See transcript.
A-26 Annotation 26: Shooting Script. Episode 4. Page 84 (4/84) One page with two comments: 1. Note suggesting to change a name in Raffles' dialogue to 'sir'.2. Note in brackets to explain the reason why. Andrew Davies, Screenwriter for Middlemarch 1993-02-16 .png 1 page D/061/A/043/A/06 Shooting Script Episode 4. From Papers of Andrew Davies, Screenwriter. Held at De Montfort University Special Collections, Leicester, UK https://specialcollections.catalogue.dmu.ac.uk/records/D/061/A/043/A/06 Original typed script with handwritten annotations. See transcript.
A-27 Annotation 27: Shooting Script. Episode 4. Page 86 (4/86) One page with two comments: 1. Note that Raffles' dialogue is 'too on the nose'. 2. Note questioning whether to cut two short phrases from Raffles' dialogue. Andrew Davies, Screenwriter for Middlemarch 1993-02-16 .png 1 page D/061/A/043/A/06 Shooting Script Episode 4. From Papers of Andrew Davies, Screenwriter. Held at De Montfort University Special Collections, Leicester, UK https://specialcollections.catalogue.dmu.ac.uk/records/D/061/A/043/A/06 Original typed script with handwritten annotations. See transcript.
A-28 Annotation 28: Shooting Script. Episode 4. Page 88a (4/88a) One page with a question mark next to Raffles' dialogue. Andrew Davies, Screenwriter for Middlemarch 1993-02-16 .png 1 page D/061/A/043/A/06 Shooting Script Episode 4. From Papers of Andrew Davies, Screenwriter. Held at De Montfort University Special Collections, Leicester, UK https://specialcollections.catalogue.dmu.ac.uk/records/D/061/A/043/A/06 Original typed script with handwritten annotations. See transcript.
A-29 Annotation 29: Shooting Script. Episode 4. Page 93 (4/93) One page with two comments: Annotation 1: A hand-written note in all capitals at the bottom of the page adding an interaction between Bulstrode and Raffles at the end of the scene. It reads: 'AS WE HAVE LOST THE COACH COULD WE HAVE HIM WALKING AWAY, BULSTRODE WATCHING, RAFFLES TURNING TO WAVE, BULSTRODE THINKING DARK THOUGHTS.' Annotation 2: to the right of this note, and underneath the type-written footnote of '[No. Sc.4/57-59: therefore no pages 4/94-97]', a short line leads from the end of the note in Annotation 1 to the beginning of this one: 'Shoot it when you do 4/55? It would add a lot I think.' Andrew Davies, Screenwriter for Middlemarch 1993-02-16 .png D/061/A/043/A/06 Shooting Script Episode 4. From Papers of Andrew Davies, Screenwriter. Held at De Montfort University Special Collections, Leicester, UK https://specialcollections.catalogue.dmu.ac.uk/records/D/061/A/043/A/06 Original typed script with handwritten annotations. See transcript.
A-30 Annotation 30: Shooting Script. Episode 5. Page i (5/i) One page with four numbers down the margin to summarise the locations of changes to Episode 5 and one comment: 1. Note of four page numbers: 4, 19, 48, 60. 2. Note next to number 60 saying 'Quallingham'. Andrew Davies, Screenwriter for Middlemarch 1993-02-16 .png 1 page D/061/A/043/A/07 Shooting Script Episode 5. From Papers of Andrew Davies, Screenwriter. Held at De Montfort University Special Collections, Leicester, UK https://specialcollections.catalogue.dmu.ac.uk/records/D/061/A/043/A/07 Original typed script with handwritten annotations. See transcript.
A-31 Annotation 31: Shooting Script. Episode 5. Page 19 (5/19) One page with two comments: 1. Note next to Farebrother's dialogue saying 'other way', with 'other' underlined.2. Note next to Farebrother's dialogue for the insertion of the word 'it'. Andrew Davies, Screenwriter for Middlemarch 1993-02-16 .png 1 page D/061/A/043/A/07 Shooting Script Episode 5. From Papers of Andrew Davies, Screenwriter. Held at De Montfort University Special Collections, Leicester, UK https://specialcollections.catalogue.dmu.ac.uk/records/D/061/A/043/A/07 Original typed script with handwritten annotations. See transcript.
A-32 Annotation 32: Shooting Script. Episode 5. Page 24 (5/24) One page with one comment and circled dialogue:1. [illegible] written next to circled dialogue between Garth and Dorothea. Andrew Davies, Screenwriter for Middlemarch 1993-02-16 .png 1 page D/061/A/043/A/07 Shooting Script Episode 5. From Papers of Andrew Davies, Screenwriter. Held at De Montfort University Special Collections, Leicester, UK https://specialcollections.catalogue.dmu.ac.uk/records/D/061/A/043/A/07 Original typed script with handwritten annotations. See transcript.
A-33 Annotation 33: Shooting Script. Episode 5. Page 48 (5/48) One page with one circled sentence of Mrs Cadwallader's dialogue. Andrew Davies, Screenwriter for Middlemarch 1993-02-16 .png 1 page D/061/A/043/A/07 Shooting Script Episode 5. From Papers of Andrew Davies, Screenwriter. Held at De Montfort University Special Collections, Leicester, UK https://specialcollections.catalogue.dmu.ac.uk/records/D/061/A/043/A/07 Original typed script with handwritten annotations. See transcript.
A-34 Annotation 34: Shooting Script. Episode 6. Page i (6/i) One page with four numbers down the margin to summarise the locations of changes to Episode 6 and two comments: 1. Note of four page numbers: 61, 68, 86-88. 2. [Illegible] written next to number 61. 3. Note next to number 68 expressing it was 'too much of a let down'. Andrew Davies, Screenwriter for Middlemarch 1993-02-16 .png 1 page D/061/A/043/A/08 Shooting Script Episode 6. From Papers of Andrew Davies, Screenwriter. Held at De Montfort University Special Collections, Leicester, UK https://specialcollections.catalogue.dmu.ac.uk/records/D/061/A/043/A/08 Original typed script with handwritten annotations. See transcript.
A-35 Annotation 35: Shooting Script. Episode 6. Page 30 (6/30) One page with one correction: 1. Note to correct that section of dialogue belongs to Lydgate and not Bulstrode. Andrew Davies, Screenwriter for Middlemarch 1993-02-16 .png 1 page D/061/A/043/A/08 Shooting Script Episode 6. From Papers of Andrew Davies, Screenwriter. Held at De Montfort University Special Collections, Leicester, UK https://specialcollections.catalogue.dmu.ac.uk/records/D/061/A/043/A/08 Original typed script with handwritten annotations. See transcript.
A-36 Annotation 36: Shooting Script. Episode 6. Page 68 (6/68) One page with one comment: 1. Note that 'this scene is no good.' Andrew Davies, Screenwriter for Middlemarch 1993-02-16 .png 1 page D/061/A/043/A/08 Shooting Script Episode 6. From Papers of Andrew Davies, Screenwriter. Held at De Montfort University Special Collections, Leicester, UK https://specialcollections.catalogue.dmu.ac.uk/records/D/061/A/043/A/08 Original typed script with handwritten annotations. See transcript.
A-37 Annotation 37: Shooting Script. Episode 6. Page 86 (6/86) One page with three comments: 1. Note next to circled section of Dorothea's dialogue with instruction to cut, detailing why.2. Note next to circled section of Dorothea's dialogue with instruction to cut, detailing why. 3. Note next to an arrow leading to Dorothea's dialogue with instruction for how the line should be said. Andrew Davies, Screenwriter for Middlemarch 1993-02-16 .png 1 page D/061/A/043/A/08 Shooting Script Episode 6. From Papers of Andrew Davies, Screenwriter. Held at De Montfort University Special Collections, Leicester, UK https://specialcollections.catalogue.dmu.ac.uk/records/D/061/A/043/A/08 Original typed script with handwritten annotations. See transcript.
A-38 Annotation 38: Shooting Script. Episode 6. Page 87 (6/87) One page with two comments:1. Note next to circled section of dialogue between Dorothea and Lydgate questioning whether it should be cut. 2. Note next to circled section of Dorothea's dialogue suggesting it to be cut, detailing why. Andrew Davies, Screenwriter for Middlemarch 1993-02-16 .png 1 page D/061/A/043/A/08 Shooting Script Episode 6. From Papers of Andrew Davies, Screenwriter. Held at De Montfort University Special Collections, Leicester, UK https://specialcollections.catalogue.dmu.ac.uk/records/D/061/A/043/A/08 Original typed script with handwritten annotations. See transcript.
A-39 Annotation 39: Shooting Script. Episode 6. Page 88 (6/88) One page with three comments:1. Note next to circled section of Lydgate's dialogue suggesting it is cut. 2. Note next to highlighted dialogue between Dorothea and Lydgate questioning whether it be cut. 3. Note providing reasoning as to why so many cuts in this scene. Andrew Davies, Screenwriter for Middlemarch 1993-02-16 .png 1 page D/061/A/043/A/08 Shooting Script Episode 6. From Papers of Andrew Davies, Screenwriter. Held at De Montfort University Special Collections, Leicester, UK https://specialcollections.catalogue.dmu.ac.uk/records/D/061/A/043/A/08 Original typed script with handwritten annotations. See transcript.
A-40 Annotation 40: Shooting Script. Episode 6. Page 89 (6/89) One page with two comments:1. 'forget it' written next to a crossed out facial expression by Dorothea. 2. Note on how Dorothea's character should finish the scene Andrew Davies, Screenwriter for Middlemarch 1993-02-16 .png 1 page D/061/A/043/A/08 Shooting Script Episode 6. From Papers of Andrew Davies, Screenwriter. Held at De Montfort University Special Collections, Leicester, UK https://specialcollections.catalogue.dmu.ac.uk/records/D/061/A/043/A/08 Original typed script with handwritten annotations. See transcript.
A-41 Annotation 41: Shooting Script. Episode 6. Page 94 (6/94) One page with one comment: 1. Note adding direction and inserting a new line for Ladislaw Andrew Davies, Screenwriter for Middlemarch 1993-02-16 .png 1 page D/061/A/043/A/08 Shooting Script Episode 6. From Papers of Andrew Davies, Screenwriter. Held at De Montfort University Special Collections, Leicester, UK https://specialcollections.catalogue.dmu.ac.uk/records/D/061/A/043/A/08 Original typed script with handwritten annotations. See transcript.
F-02 Film clip 2: Middlemarch. Episode 1. Extended opening sequence. Lydgate arrives in Middlemarch by stagecoach. Dorothea and Celia are seen riding on horseback. Lydgate visits the market and is then seen at work in his study. BBC Television in association with WGBH Boston 1994-01-12 MP4 Time Codes: 00:00:47- 00:06:11 Duration: 00:05:24. Middlemarch. Episode 1. Directed by Anthony Page. Produced by BBC (British Broadcasting Corporation) and WGBH Boston (Public Broadcasting Service for Boston, Massachusetts, US). Originally aired 1994-01-12 None Available
F-03 Film clip 3: Middlemarch. Episode 1. Jewellery scene. Dorothea works on plans for the farm worker's cottages whilst Celia suggests dividing their deceased mother's jewels. BBC Television in association with WGBH Boston 1994-01-12 MP4 Time Codes: 00:10:43 - 00:12:41 Duration: 00:01:58 Middlemarch. Episode 1. Directed by Anthony Page. Produced by BBC (British Broadcasting Corporation) and WGBH Boston (Public Broadcasting Service for Boston, Massachusetts, US). Originally aired 1994-01-12 None Available
F-04 Film clip 4: Middlemarch. Episode 1. Proposal scene. Brooke delivers Dorothea a letter containing Casaubon's proposal. They discuss the suitability of the match with reference to Chettam. Dorothea tells Celia she is engaged to Casaubon. BBC Television in association with WGBH Boston 1994-01-12 MP4 Time Codes: 00:44:00 - 00:48:40 Duration: 00:04:40 Middlemarch. Episode 1. Directed by Anthony Page. Produced by BBC (British Broadcasting Corporation) and WGBH Boston (Public Broadcasting Service for Boston, Massachusetts, US). Originally aired 1994-01-12 None Available
F-05 Film clip 5: Middlemarch. Episode 1. Engagement party. Mrs Cadwallader gossips about the attendees of the engagement party with reference to Brooke's move into politics. BBC Television in association with WGBH Boston 1994-01-12 MP4 Time Codes: 00:57:10 - 00:58:33 Duration: 00:01:23 Middlemarch. Episode 1. Directed by Anthony Page. Produced by BBC (British Broadcasting Corporation) and WGBH Boston (Public Broadcasting Service for Boston, Massachusetts, US). Originally aired 1994-01-12 None Available
F-06 Film clip 6: Middlemarch. Episode 1. Lydgate and Farebrother discuss their scientific interests and the hospital chaplaincy vote. BBC Television in association with WGBH Boston 1994-01-12 MP4 Time Codes: 00:21:24-00:23:58 Duration: 00:02:34 Middlemarch. Episode 1. Directed by Anthony Page. Produced by BBC (British Broadcasting Corporation) and WGBH Boston (Public Broadcasting Service for Boston, Massachusetts, US). Originally aired 1994-01-12 None Available
F-07 Film clip 7: Middlemarch. Episode 1. Honeymoon in Rome. Dorothea and Casaubon discuss their separate itineraries. BBC Television in association with WGBH Boston 1994-01-12 MP4 Time Codes: 01:09:49 - 01:13:01 Duration: 00:03:12 Middlemarch. Episode 1. Directed by Anthony Page. Produced by BBC (British Broadcasting Corporation) and WGBH Boston (Public Broadcasting Service for Boston, Massachusetts, US). Originally aired 1994-01-12 None Available
F-08 Film clip 8: Middlemarch. Episode 1. Lydgate arrives at Stone Court where he sees Rosamond for the first time, singing and playing piano for the gathering. BBC Television in association with WGBH Boston 1994-01-12 MP4 Time Codes: 00:31:01 - 00:32:30 Duration: 00:01:31 Middlemarch. Episode 1. Directed by Anthony Page. Produced by BBC (British Broadcasting Corporation) and WGBH Boston (Public Broadcasting Service for Boston, Massachusetts, US). Originally aired 1994-01-12 None Available
F-09 Film clip 9: Middlemarch. Episode 1. At a meeting of the Hospital Board, Lydgate casts the deciding vote for the hospital chaplaincy. BBC Television in association with WGBH Boston 1994-01-12 MP4 Time Codes: 01:13:58 - 01:18:26 Duration: 00:04:26 Middlemarch. Episode 1. Directed by Anthony Page. Produced by BBC (British Broadcasting Corporation) and WGBH Boston (Public Broadcasting Service for Boston, Massachusetts, US). Originally aired 1994-01-12 None Available
F-10 Film clip 10: Middlemarch. Episode 1. Breakfast at the Vincy's house. BBC Television in association with WGBH Boston 1994-01-12 MP4 Time Codes: 00:24:59 - 00:26:34 Duration: 00:02.35 Middlemarch. Episode 1. Directed by Anthony Page. Produced by BBC (British Broadcasting Corporation) and WGBH Boston (Public Broadcasting Service for Boston, Massachusetts, US). Originally aired 1994-01-12 None Available
F-11 Film clip 11: Middlemarch. Episode 2. Ladislaw visits Dorothea at the Casaubon's apartment in Rome. BBC Television in association with WGBH Boston 1994-01-19 MP4 Time Codes:00:03:44 - 00:06:18 Duration: 00:02:34 Middlemarch. Episode 2. Directed by Anthony Page. Produced by BBC (British Broadcasting Corporation) and WGBH Boston (Public Broadcasting Service for Boston, Massachusetts, US). Originally aired 1994-01-19 None Available
F-12 Film clip 12: Middlemarch. Episode 2 The opening of the new Fever Hospital in Middlemarch. BBC Television in association with WGBH Boston 1994-01-19 MP4 Time Codes:00:09:03 - 00:10:47 Duration: 00:01:44 Middlemarch. Episode 2. Directed by Anthony Page. Produced by BBC (British Broadcasting Corporation) and WGBH Boston (Public Broadcasting Service for Boston, Massachusetts, US). Originally aired 1994-01-19 None Available
F-13 Film clip 13: Middlemarch. Episode 2. Accompanied by Ladislaw, Dorothea and Casaubon visit Naumann's studio in Rome. BBC Television in association with WGBH Boston 1994-01-19 MP4 Time Codes:00:10:48 - 00:14:37 Duration: 00:03:49 Middlemarch. Episode 2. Directed by Anthony Page. Produced by BBC (British Broadcasting Corporation) and WGBH Boston (Public Broadcasting Service for Boston, Massachusetts, US). Originally aired 1994-01-19 None Available
F-14 Film clip 14: Middlemarch. Episode 2. Fred visits Mary at Stone Court to ask her to pay his debt to Mr. Bambridge. BBC Television in association with WGBH Boston 1994-01-19 MP4 Time Codes:00:20:00 - 00:21:57 Duration: 00:01:57 Middlemarch. Episode 2. Directed by Anthony Page. Produced by BBC (British Broadcasting Corporation) and WGBH Boston (Public Broadcasting Service for Boston, Massachusetts, US). Originally aired 1994-01-19 None Available
F-15 Film clip 15: Middlemarch. Episode 2. Following a disagreement with Dorothea, Casaubon collapses in the library at Lowick. BBC Television in association with WGBH Boston 1994-01-19 MP4 Time Codes:00:32:13 - 00:35:41Duration: 00:03:28 Middlemarch. Episode 2. Directed by Anthony Page. Produced by BBC (British Broadcasting Corporation) and WGBH Boston (Public Broadcasting Service for Boston, Massachusetts, US). Originally aired 1994-01-19 None Available
F-16 Film clip 16: Middlemarch. Episode 2. At Stone Court Farebrother and Mary discuss Fred's recovery from Typhoid Fever. BBC Television in association with WGBH Boston 1994-01-19 MP4 Time Codes:00:39:08 - 00:40:19Duration: 00:01:11 Middlemarch. Episode 2. Directed by Anthony Page. Produced by BBC (British Broadcasting Corporation) and WGBH Boston (Public Broadcasting Service for Boston, Massachusetts, US). Originally aired 1994-01-19 None Available
F-17 Film clip 17: Middlemarch. Episode 2. Bulstrode questions Lydgate about his marital intentions towards Rosamond BBC Television in association with WGBH Boston 1994-01-19 MP4 Time Codes:00:47:51 - 00:49:19Duration: 00:01:28 Middlemarch. Episode 2. Directed by Anthony Page. Produced by BBC (British Broadcasting Corporation) and WGBH Boston (Public Broadcasting Service for Boston, Massachusetts, US). Originally aired 1994-01-19 None Available
F-18 Film clip 18: Middlemarch. Episode 2. Closing sequence. Lydgate proposes to Rosamond. BBC Television in association with WGBH Boston 1994-01-19 MP4 Time Codes:00:53.55- 00:56.26Duration: 00:02:31 Middlemarch. Episode 2. Directed by Anthony Page. Produced by BBC (British Broadcasting Corporation) and WGBH Boston (Public Broadcasting Service for Boston, Massachusetts, US). Originally aired 1994-01-19 None Available
F-19 Film clip 19: Middlemarch. Episode 3. During the night Mary refuses to destroy one of Featherstone's wills. BBC Television in association with WGBH Boston 1994-01-26 MP4 Time Codes: 00: 00:47- 00:03.24Duration: 00:02:37 Middlemarch. Episode 3. Directed by Anthony Page. Produced by BBC (British Broadcasting Corporation) and WGBH Boston (Public Broadcasting Service for Boston, Massachusetts, US). Originally aired 1994-01-26. None Available
F-20 Film clip 20: Middlemarch. Episode 3. Surrounded by gossiping Middlemarchers, Lydgate and Rosamond are married. BBC Television in association with WGBH Boston 1994-01-26 MP4 Time Codes:00:14.42- 00:16.25Duration: 00:01:43 Middlemarch. Episode 3. Directed by Anthony Page. Produced by BBC (British Broadcasting Corporation) and WGBH Boston (Public Broadcasting Service for Boston, Massachusetts, US). Originally aired 1994-01-26. None Available
F-21 Film clip 21: Middlemarch. Episode 3. Ladislaw visits Dorothea at Lowick where they discuss his childhood and his intentions to stay and work in Middlemarch. BBC Television in association with WGBH Boston 1994-01-26 MP4 Time Codes: 00:17:40-00:21:38Duration: 00:03:58 Middlemarch. Episode 3. Directed by Anthony Page. Produced by BBC (British Broadcasting Corporation) and WGBH Boston (Public Broadcasting Service for Boston, Massachusetts, US). Originally aired 1994-01-26. None Available
F-22 Film clip 22: Middlemarch. Episode 3. At bedtime Dorothea and Casaubon argue when she voices how she wishes Ladislaw could be recompensed for past wrongs. BBC Television in association with WGBH Boston 1994-01-26 MP4 Time Codes:00:23:16-00:25:41Duration: 00:02:25 Middlemarch. Episode 3. Directed by Anthony Page. Produced by BBC (British Broadcasting Corporation) and WGBH Boston (Public Broadcasting Service for Boston, Massachusetts, US). Originally aired 1994-01-26. None Available
F-23 Film clip 23: Middlemarch. Episode 3. Lydgate and Rosamond visit his cousin's estate, Quallingham. BBC Television in association with WGBH Boston 1994-01-26 MP4 Time Codes:00:27:06-00:28:57 Duration: 00:01:51 Middlemarch. Episode 3. Directed by Anthony Page. Produced by BBC (British Broadcasting Corporation) and WGBH Boston (Public Broadcasting Service for Boston, Massachusetts, US). Originally aired 1994-01-26. None Available
F-24 Film clip 24: Middlemarch. Episode 3. Dorothea and Brooke visit the Dagleys, tenants on the Tipton estate. BBC Television in association with WGBH Boston 1994-01-26 MP4 Time Codes:00:33-00-00:35.54Duration: 00:02:54 Middlemarch. Episode 3. Directed by Anthony Page. Produced by BBC (British Broadcasting Corporation) and WGBH Boston (Public Broadcasting Service for Boston, Massachusetts, US). Originally aired 1994-01-26. None Available
F-25 Film clip 25: Middlemarch. Episode 3. Before his sudden death, Casaubon asks Dorothea if she will agree to obey his wishes without further knowledge of their nature. BBC Television in association with WGBH Boston 1994-01-26 MP4 Time Codes:00:53:18-00:58:37Duration: 00:05:19 Middlemarch. Episode 3. Directed by Anthony Page. Produced by BBC (British Broadcasting Corporation) and WGBH Boston (Public Broadcasting Service for Boston, Massachusetts, US). Originally aired 1994-01-26. None Available
F-26 Film clip 26: Middlemarch. Episode 4. BBC Television in association with WGBH Boston A political activist speaks in the square while Tory objectors Hawley and Wrench compare reform to revolution. 02/02/1994 MP4 Time Codes:00:00.48-00:02.15Duration: 00:01.27 Middlemarch. Episode 4. Directed by Anthony Page. Produced by BBC (British Broadcasting Corporation) and WGBH Boston (Public Broadcasting Service for Boston, Massachusetts, US). Originally aired 1994-02-02. None Available
F-27 Film clip 26: Middlemarch. Episode 4. Rosamond and Lydgate entertain Ladislaw and the two men argue over their moral values. BBC Television in association with WGBH Boston 1994-02-02 MP4 Time Codes: 00:10-06-00:11.40Duration: 00:01.34 Middlemarch. Episode 4. Directed by Anthony Page. Produced by BBC (British Broadcasting Corporation) and WGBH Boston (Public Broadcasting Service for Boston, Massachusetts, US). Originally aired 1994-02-02. None Available
F-28 Film clip 28: Middlemarch. Episode 4. Lydgate explains to Mawmsey how doctors make their income while Farebrother advises the former on how to weather hostility from Middlemarchers. BBC Television in association with WGBH Boston 1994-02-02 MP4 Time Codes:00:15:13-00:17:03Duration: 00:01:50 Middlemarch. Episode 4. Directed by Anthony Page. Produced by BBC (British Broadcasting Corporation) and WGBH Boston (Public Broadcasting Service for Boston, Massachusetts, US). Originally aired 1994-02-02. None Available
F-29 Film clip 29: Middlemarch. Episode 4. Brooke canvasses for Mawmsey's vote and is bested by Mawmsey. BBC Television in association with WGBH Boston 1994-02-02 MP4 Time Codes:00:19:02-00:21:34Duration: 00:02:32 Middlemarch. Episode 4. Directed by Anthony Page. Produced by BBC (British Broadcasting Corporation) and WGBH Boston (Public Broadcasting Service for Boston, Massachusetts, US). Originally aired 1994-02-02. None Available
F-30 Film clip 30: Middlemarch. Episode 4. At the hustings Ladislaw speaks fervently to the crowd before Brooke fails to engage the throng and is heckled following Hawley's incitement. BBC Television in association with WGBH Boston 1994-02-02 MP4 Time Codes:00:29:01-00:34:41Duration: 00:05:40 Middlemarch. Episode 4. Directed by Anthony Page. Produced by BBC (British Broadcasting Corporation) and WGBH Boston (Public Broadcasting Service for Boston, Massachusetts, US). Originally aired 1994-02-02. None Available
F-31 Film clip 31: Middlemarch. Episode 4. At Lowick Dorothea and Ladislaw discuss his intention to depart Middlemarch to study for the bar in London. BBC Television in association with WGBH Boston 1994-02-02 MP4 Time Codes:00:43:19-00:46:37Duration: 00:03:18 Middlemarch. Episode 4. Directed by Anthony Page. Produced by BBC (British Broadcasting Corporation) and WGBH Boston (Public Broadcasting Service for Boston, Massachusetts, US). Originally aired 1994-02-02. None Available
F-32 Film clip 32: Middlemarch. Episode 4. Raffles visits Stone Court for the first time wherein he sets out his intention to blackmail Bulstrode. BBC Television in association with WGBH Boston 1994-02-02 MP4 Time Codes:00:49:49-00:52:48Duration: 00:02:59 Middlemarch. Episode 4. Directed by Anthony Page. Produced by BBC (British Broadcasting Corporation) and WGBH Boston (Public Broadcasting Service for Boston, Massachusetts, US). Originally aired 1994-02-02. None Available
F-33 Film clip 33: Middlemarch. Episode 5. Opening sequence. Fred asks Farebrother to speak with Mary regarding her feelings towards him. BBC Television in association with WGBH Boston 1994-02-09 MP4 Time Codes: 00:00:48-00:03:19 Duration: 00:02:31 Middlemarch. Episode 5. Directed by Anthony Page. Produced by BBC (British Broadcasting Corporation) and WGBH Boston (Public Broadcasting Service for Boston, Massachusetts, US). Originally aired 1994-02-09. None Available
F-34 Film clip 34: Middlemarch. Episode 5. At Chettam's request, Mrs Cadwallader speaks with Dorothea about Ladislaw during a carriage ride to Tipton. BBC Television in association with WGBH Boston 1994-02-09 MP4 Time Codes: 00:20:30-00:23:05 Duration: 00:02:35 Middlemarch. Episode 5. Directed by Anthony Page. Produced by BBC (British Broadcasting Corporation) and WGBH Boston (Public Broadcasting Service for Boston, Massachusetts, US). Originally aired 1994-02-09. None Available
F-35 Film clip 35: Middlemarch. Episode 5. At Tipton, Ladislaw informs Dorothea he must leave immediately having learned of Casaubon's codicil. BBC Television in association with WGBH Boston 1994-02-09 MP4 Time Codes: 00:24:20-00:27:35 Duration: 00:03:15 Middlemarch. Episode 5. Directed by Anthony Page. Produced by BBC (British Broadcasting Corporation) and WGBH Boston (Public Broadcasting Service for Boston, Massachusetts, US). Originally aired 1994-02-09. None Available
F-36 Film clip 36: Middlemarch. Episode 5. Caleb Garth and Tom witness a confrontation between the railway surveyors and farmworkers. Fred and Garth successfully mediate the situation. BBC Television in association with WGBH Boston 1994-02-09 MP4 Time Codes: 00:31:31-00:36:04 Duration: 00:04:33 Middlemarch. Episode 5. Directed by Anthony Page. Produced by BBC (British Broadcasting Corporation) and WGBH Boston (Public Broadcasting Service for Boston, Massachusetts, US). Originally aired 1994-02-09. None Available
F-37 Film clip 37: Middlemarch. Episode 5. Having learned of Farebrother's love for Mary from Mrs Garth, Fred joins the pair in the orchard. Following Farebrother's departure, Mary demonstrates her feelings for Fred. BBC Television in association with WGBH Boston 1994-02-09 MP4 Time Codes: 00:42:56-00:46:35 Duration: 00:03:39 Middlemarch. Episode 5. Directed by Anthony Page. Produced by BBC (British Broadcasting Corporation) and WGBH Boston (Public Broadcasting Service for Boston, Massachusetts, US). Originally aired 1994-02-09. None Available
F-38 Film clip 38: Middlemarch. Episode 6. Opening Sequence. Lydgate and Rosamond argue over the contents of the letter she sent to Sir Godwin Lydgate. BBC Television in association with WGBH Boston 1994-02-16 MP4 Time Codes: 00:00:47-00:03:51 Duration: 00:03:04 Middlemarch. Episode 6. Directed by Anthony Page. Produced by BBC (British Broadcasting Corporation) and WGBH Boston (Public Broadcasting Service for Boston, Massachusetts, US). Originally aired 1994-02-16. None Available
F-39 Film clip 39: Middlemarch. Episode 6. Raffles returns to Stone Court. Caleb Garth refuses to continue to work for Bulstrode. BBC Television in association with WGBH Boston 1994-02-16 MP4 Time Codes: 00:10-18-00:13.36 Duration: 00:03.18 Middlemarch. Episode 6. Directed by Anthony Page. Produced by BBC (British Broadcasting Corporation) and WGBH Boston (Public Broadcasting Service for Boston, Massachusetts, US). Originally aired 1994-02-16. None Available
F-40 Film clip 40: Middlemarch. Episode 6. News of Raffles' death spreads throughout Middlemarch and is discussed by Bambridge, Hawley and Mrs Dollop in the Green Dragon Inn. BBC Television in association with WGBH Boston 1994-02-16 MP4 Time Codes: 00:23:48-00:26:18 Duration: 00:02:30 Middlemarch. Episode 6. Directed by Anthony Page. Produced by BBC (British Broadcasting Corporation) and WGBH Boston (Public Broadcasting Service for Boston, Massachusetts, US). Originally aired 1994-02-16. None Available
F-41 Film clip 41: Middlemarch. Episode 6. Lydgate and Dorothea discuss marriage and she offers to speak with Rosamond. BBC Television in association with WGBH Boston 1994-02-16 MP4 Time Codes: 00:36:25-00:40:22 Duration: 00:03:57 Middlemarch. Episode 6. Directed by Anthony Page. Produced by BBC (British Broadcasting Corporation) and WGBH Boston (Public Broadcasting Service for Boston, Massachusetts, US). Originally aired 1994-02-16. None Available
F-42 Film clip 42: Middlemarch. Episode 6. Following a troubled night, Dorothea visits Rosamond where they discuss marriage and Ladislaw. BBC Television in association with WGBH Boston 1994-02-16 MP4 Time Codes: 00:44:03-00:47:37 Duration: 00:03:34 Middlemarch. Episode 6. Directed by Anthony Page. Produced by BBC (British Broadcasting Corporation) and WGBH Boston (Public Broadcasting Service for Boston, Massachusetts, US). Originally aired 1994-02-16. None Available
F-43 Film clip 45: Middlemarch.6. Longer Finale. Voice-over describes the futures of the three couples, Dorothea and Ladislaw, Lydgate and Rosamond, and Fred and Mary. BBC Television in association with WGBH Boston 1994-02-16 MP4 Time Codes: 00:53:17-00:56:41 Duration: 00:03:24 Middlemarch. Episode 6. Directed by Anthony Page. Produced by BBC (British Broadcasting Corporation) and WGBH Boston (Public Broadcasting Service for Boston, Massachusetts, US). Originally aired 1994-02-16 None Available
I-01-T-02 Transcript extract from interview with Susie Conklin, Script Editor for Middlemarch. pp. 5-6. Conklin discusses screenwriter Andrew Davies' approach to adapting the novel. Interview conducted via Zoom by interviewers, Professor Justin Smith and Dr Lucy Hobbs. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-02-03 .png 1 page D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104 See Transcript
I-01-T-03 Transcript extract from interview with Susie Conklin, Script Editor for Middlemarch. p. 7. Conklin recalls reactions to the budget for the production and Producer Louis Marks' approach to the project. Interview conducted via Zoom by interviewers, Professor Justin Smith and Dr Lucy Hobbs. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-02-03 .png 1 page D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104 See Transcript
I-01-T-04 Transcript extract from interview with Susie Conklin, Script Editor for Middlemarch. p. 9. Conklin reflects on her presence at rehearsals and on location. Interview conducted via Zoom by interviewers, Professor Justin Smith and Dr Lucy Hobbs. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-02-03 .png 1 page D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104 See Transcript
I-01-T-05 Transcript extract from interview with Susie Conklin, Script Editor for Middlemarch. p. 10. Conklin explains how practical solutions to production constraints can also impact the script. Interview conducted via Zoom by interviewers, Professor Justin Smith and Dr Lucy Hobbs. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F2 2022-02-03 .png 1 page D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104 See Transcript
I-01-T-06 Transcript extract from interview with Susie Conklin, Script Editor for Middlemarch. p. 15. Conklin describes why she and screenwriter Andrew Davies wanted to avoid using a voice-over narrator. Interview conducted via Zoom by interviewers, Professor Justin Smith and Dr Lucy Hobbs. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-02-03 .png 1 page D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104 See Transcript.
I-01-T-07 Transcript extract from interview with Susie Conklin, Script Editor for Middlemarch. p. 24. Conklin reflects on Director Anthony Page's approach to the production. Interview conducted via Zoom by interviewers, Professor Justin Smith and Dr Lucy Hobbs. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-02-03 .png 1 page D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104 See Transcript
I-03-T-01 Transcript extract from an interview with Julie Edwards, Production Manager for Middlemarch. pp. 11-19. Edwards discusses the organisation and care of the many horses required on set. Interview conducted via Zoom by interviewers, Professor Justin Smith and Dr Lucy Hobbs. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-04-01 .png 1 page D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104 See Transcript
I-03-T-02 Transcript extract from an interview with Julie Edwards, Production Manager for Middlemarch. pp. 4-5. Edwards describes her experience of reorganising scene locations with script-editor, Susie Conklin to suit crew time constraints. Interview conducted via Zoom by interviewers, Professor Justin Smith and Dr Lucy Hobbs. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F2 2022-04-01 .png 1 page D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104 See Transcript
I-03-T-03 Transcript extract from an interview with Julie Edwards, Production Manager for Middlemarch. P. 21 Edwards describes the support provided by the crew to assist octogenarian, Sir Michael Hordern (Featherstone). Interview conducted via Zoom by interviewers, Professor Justin Smith and Dr Lucy Hobbs. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F3 2022-04-01 .png 1 page D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104 See Transcript
I-03-T-03 Transcript extract from an interview with Julie Edwards, Production Manager for Middlemarch. P. 21 Edwards describes the support provided by the crew to assist octogenarian, Sir Michael Hordern (Featherstone). Interview conducted via Zoom by interviewers, Professor Justin Smith and Dr Lucy Hobbs. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F5 2022-04-01 .png 1 page D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104 See Transcript.
I-04-T-01 Transcript extract from an interview with actor, Trevyn McGowan (Rosamond Vincy). P. 3. McGowan describes how her suggestion to give Rosamond an imperfect singing voice did not concur with Director Anthony Page's character interpretation. Interview conducted via Zoom by interviewers, Professor Justin Smith and Dr Lucy Hobbs. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F4 2022-06-29 .png 1 page D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104 See Transcript
I-04-T-02 Transcript extract from an interview with actor, Trevyn McGowan (Rosamond Vincy). pp. 2-5. McGowan describes how she had already worked with Douglas Hodge (Lydgate) prior to the filming of Middlemarch. Interview conducted via Zoom by interviewers, Professor Justin Smith and Dr Lucy Hobbs. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F5 2022-06-29 .png 1 page D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104 See Transcript
MS-01 Middlemarch, Proem, Manuscript page 3 Universalising of the novel's heroine and dominant themes through philosophical, historical and religious allusion. George Eliot, author of Middlemarch 1871-72 .png 1 page Add MS 34034-34037 Manuscript of Middlemarch: a Study of Provincial Life by George Eliot. Held at British Library, London, UK. © Garnault Ouvry. https://www.bl.uk/collection-items/manuscript-of-middlemarch-by-george-eliot Original, handwritten manuscript page from George Eliot's Middlemarch notebooks.
MS-02 Middlemarch Book 1, Chapter 1, Manuscript page 7 (3) The narrator assesses Dorothea from a suitor's perspective with rhetorical comic and ironic hyperbole. George Eliot, author of Middlemarch 1871-72 .png 1 page Add MS 34034-34037 Manuscript of Middlemarch: a Study of Provincial Life by George Eliot. Held at British Library, London, UK. © Garnault Ouvry. https://www.bl.uk/collection-items/manuscript-of-middlemarch-by-george-eliot Original, handwritten manuscript page from George Eliot's Middlemarch notebooks.
MS-03 Middlemarch Book 1, Chapter 2. Manuscript page 25 (21) Inviting the reader to consider abstracting the universal from the particular in relation to marriage. George Eliot, author of Middlemarch 1871-72 .png 1 page Add MS 34034-34037 Manuscript of Middlemarch: a Study of Provincial Life by George Eliot. Held at British Library, London, UK. © Garnault Ouvry. https://www.bl.uk/collection-items/manuscript-of-middlemarch-by-george-eliot Original, handwritten manuscript page from George Eliot's Middlemarch notebooks.
MS-04 Middlemarch Book 1, Chapter 3. Manuscript page 29 (25) Contrasting Dorothea's hope and aspirations with her lack of knowledge using comic hyperbole. George Eliot, author of Middlemarch 1871-72 .png 1 page Add MS 34034-34037 Manuscript of Middlemarch: a Study of Provincial Life by George Eliot. Held at British Library, London, UK. © Garnault Ouvry. https://www.bl.uk/collection-items/manuscript-of-middlemarch-by-george-eliot Original, handwritten manuscript page from George Eliot's Middlemarch notebooks.
MS-05 Middlemarch Book 1, Chapter 3. Manuscript page 31 (27) The narrator reveals Dorothea's unconventional matrimonial aims as seen from a typical 1820s perspective. George Eliot, author of Middlemarch 1871-72 .png 1 page Add MS 34034-34037 Manuscript of Middlemarch: a Study of Provincial Life by George Eliot. Held at British Library, London, UK. © Garnault Ouvry. https://www.bl.uk/collection-items/manuscript-of-middlemarch-by-george-eliot Original, handwritten manuscript page from George Eliot's Middlemarch notebooks.
MS-06 Middlemarch Book 1, Chapter 6. Manuscript Page 71 (66) The narrator examines the preoccupations of Mrs Cadwallader using her as a comic vehicle to explore provincial life. George Eliot, author of Middlemarch 1871-72 .png 1 page Add MS 34034-34037 Manuscript of Middlemarch: a Study of Provincial Life by George Eliot. Held at British Library, London, UK. © Garnault Ouvry. https://www.bl.uk/collection-items/manuscript-of-middlemarch-by-george-eliot Original, handwritten manuscript page from George Eliot's Middlemarch notebooks.
MS-07 Middlemarch Book 1, Chapter 6. Manuscript page 74 (69) The narrator encourages altruism. George Eliot, author of Middlemarch 1871-72 .png 1 page Add MS 34034-34037 Manuscript of Middlemarch: a Study of Provincial Life by George Eliot. Held at British Library, London, UK. © Garnault Ouvry. https://www.bl.uk/collection-items/manuscript-of-middlemarch-by-george-eliot Original, handwritten manuscript page from George Eliot's Middlemarch notebooks.
MS-08 Middlemarch Book 1, Chapter 7. Manuscript page 78 (73) A foreshadowing of future events in relation to Brooke. George Eliot, author of Middlemarch 1871-72 .png 1 page Add MS 34034-34037 Manuscript of Middlemarch: a Study of Provincial Life by George Eliot. Held at British Library, London, UK. © Garnault Ouvry. https://www.bl.uk/collection-items/manuscript-of-middlemarch-by-george-eliot Original, handwritten manuscript page from George Eliot's Middlemarch notebooks.
MS-09 Middlemarch Book 1, Chapter 10. Manuscript page 96 (92) The narrator assesses and compares Ladislaw and Casaubon with comedic sympathy. George Eliot, author of Middlemarch 1871-72 .png 1 page Add MS 34034-34037 Manuscript of Middlemarch: a Study of Provincial Life by George Eliot. Held at British Library, London, UK. © Garnault Ouvry. https://www.bl.uk/collection-items/manuscript-of-middlemarch-by-george-eliot Original, handwritten manuscript page from George Eliot's Middlemarch notebooks.
MS-10 Middlemarch Book 1, Chapter 10. Manuscript page 101 (97) The narrator offers insight into Middlemarch class hierarchy through a survey of the guests at Brooke's dinner party. George Eliot, author of Middlemarch 1871-72 .png 1 page Add MS 34034-34037 Manuscript of Middlemarch: a Study of Provincial Life by George Eliot. Held at British Library, London, UK. © Garnault Ouvry. https://www.bl.uk/collection-items/manuscript-of-middlemarch-by-george-eliot Original, handwritten manuscript page from George Eliot's Middlemarch notebooks.
MS-11 Middlemarch Book 1, Chapter 11. Manuscript page 108 (104) Philosophising on the role of Destiny in determining the future in relation to the characters of Middlemarch. George Eliot, author of Middlemarch 1871-72 .png 1 page Add MS 34034-34037 Manuscript of Middlemarch: a Study of Provincial Life by George Eliot. Held at British Library, London, UK. © Garnault Ouvry. https://www.bl.uk/collection-items/manuscript-of-middlemarch-by-george-eliot Original, handwritten manuscript page from George Eliot's Middlemarch notebooks.
MS-12 Middlemarch Book 2 Chapter 15. Manuscript page 165 (160) Foregrounding of the narrator as local historian/conductor of a study of Middlemarch life as Lydgate's ambition is contextualised among the hierarchy of the town's doctors. George Eliot, author of Middlemarch 1871-72 .png 1 page Add MS 34034-34037 Manuscript of Middlemarch: a Study of Provincial Life by George Eliot. Held at British Library, London, UK. © Garnault Ouvry. https://www.bl.uk/collection-items/manuscript-of-middlemarch-by-george-eliot Original, handwritten manuscript page from George Eliot's Middlemarch notebooks.
MS-13 Middlemarch Book 2, Chapter 15. Manuscript page 167 (162) Philosophising on the effects of love and passion on male ambition and achievement. George Eliot, author of Middlemarch 1871-72 .png 1 page Add MS 34034-34037 Manuscript of Middlemarch: a Study of Provincial Life by George Eliot. Held at British Library, London, UK. © Garnault Ouvry. https://www.bl.uk/collection-items/manuscript-of-middlemarch-by-george-eliot Original, handwritten manuscript page from George Eliot's Middlemarch notebooks.
MS-14 Middlemarch Book 2, Chapter 15. Manuscript page 170 (165) The narrator reflects on scientific progress and knowledge (1820s-1870) in relation to Lydgate's medical research and professional ambition. George Eliot, author of Middlemarch 1871-72 .png 1 page Add MS 34034-34037 Manuscript of Middlemarch: a Study of Provincial Life by George Eliot. Held at British Library, London, UK. © Garnault Ouvry. https://www.bl.uk/collection-items/manuscript-of-middlemarch-by-george-eliot Original, handwritten manuscript page from George Eliot's Middlemarch notebooks.
MS-15 Middlemarch Book 2, Chapter 16. Manuscript Page 196 (190) Free indirect narration offering insight into how Rosamond and Lydgate perceive one another. George Eliot, author of Middlemarch 1871-72 .png 1 page Add MS 34034-34037 Manuscript of Middlemarch: a Study of Provincial Life by George Eliot. Held at British Library, London, UK. © Garnault Ouvry. https://www.bl.uk/collection-items/manuscript-of-middlemarch-by-george-eliot Original, handwritten manuscript page from George Eliot's Middlemarch notebooks.
MS-16 Middlemarch Book 2, Chapter 19. Manuscript Page 231 (256) Contextualising Dorothea's honeymoon journey to Rome within a broader historical and cultural milieu George Eliot, author of Middlemarch 1871-72 .png 1 page Add MS 34034-34037 Manuscript of Middlemarch: a Study of Provincial Life by George Eliot. Held at British Library, London, UK. © Garnault Ouvry. https://www.bl.uk/collection-items/manuscript-of-middlemarch-by-george-eliot Original, handwritten manuscript page from George Eliot's Middlemarch notebooks.
MS-17 Middlemarch Book 2, Chapter 20. Manuscript Page 242 (265a) Free indirect narration with rhetorical questions offering insight into Dorothea's experience of early married life to Casaubon. George Eliot, author of Middlemarch 1871-72 .png 1 page Add MS 34034-34037 Manuscript of Middlemarch: a Study of Provincial Life by George Eliot. Held at British Library, London, UK. © Garnault Ouvry. https://www.bl.uk/collection-items/manuscript-of-middlemarch-by-george-eliot Original, handwritten manuscript page from George Eliot's Middlemarch notebooks.
MS-18 Middlemarch Book 2, Chapter 21. Manuscript Page 268 (290) Philosophising on knowledge of the self and others through Dorothea's disillusionment with her marriage to Casaubon. George Eliot, author of Middlemarch 1871-72 .png 1 page Add MS 34034-34037 Manuscript of Middlemarch: a Study of Provincial Life by George Eliot. Held at British Library, London, UK. © Garnault Ouvry. https://www.bl.uk/collection-items/manuscript-of-middlemarch-by-george-eliot Original, handwritten manuscript page from George Eliot's Middlemarch notebooks.
MS-19 Middlemarch Book 2, Chapter 22. Manuscript Page 277 (299) The narrator reveals Ladislaw's strength of feeling for Dorothea while refusing to repeat the crude and inflated speech of Naumann in relation to the Casaubons. George Eliot, author of Middlemarch 1871-72 .png 1 page Add MS 34034-34037 Manuscript of Middlemarch: a Study of Provincial Life by George Eliot. Held at British Library, London, UK. © Garnault Ouvry. https://www.bl.uk/collection-items/manuscript-of-middlemarch-by-george-eliot Original, handwritten manuscript page from George Eliot's Middlemarch notebooks.
MS-20 Middlemarch Book 3, Chapter 23. Manuscript Page 3 (222) The narrator includes themselves and the reader via the pronoun 'we' to elicit empathy in relation to Fred Vincy asking a favour of Caleb Garth. George Eliot, author of Middlemarch 1871-72 .png 1 page Add MS 34034-34037 Manuscript of Middlemarch: a Study of Provincial Life by George Eliot. Held at British Library, London, UK. © Garnault Ouvry. https://www.bl.uk/collection-items/manuscript-of-middlemarch-by-george-eliot Original, handwritten manuscript page from George Eliot's Middlemarch notebooks.
MS-21 Middlemarch Book 3, Chapter 23.Manuscript Page 12 (231) The narrator offers an internal and external depiction of Fred Vincy's dealings with Bambridge and Horrock. George Eliot, author of Middlemarch 1871-72 .png 1 page Add MS 34034-34037 Manuscript of Middlemarch: a Study of Provincial Life by George Eliot. Held at British Library, London, UK. © Garnault Ouvry. https://www.bl.uk/collection-items/manuscript-of-middlemarch-by-george-eliot Original, handwritten manuscript page from George Eliot's Middlemarch notebooks.
MS-22 Middlemarch Book 3, Chapter 26. Manuscript Page 48 (351/65) The omniscient narrator reports on the views of the town when Lydgate replaces Wrench as the Vincy's family doctor. George Eliot, author of Middlemarch 1871-72 .png 1 page Add MS 34034-34037 Manuscript of Middlemarch: a Study of Provincial Life by George Eliot. Held at British Library, London, UK. © Garnault Ouvry. https://www.bl.uk/collection-items/manuscript-of-middlemarch-by-george-eliot Original, handwritten manuscript page from George Eliot's Middlemarch notebooks.
MS-23 Middlemarch Book 3, Chapter 27. Manuscript Page 50 (353/64) Including the epigraph written by Eliot, the narrator employs extended metaphor to reflect on the actions of Rosamond. George Eliot, author of Middlemarch 1871-72 .png 1 page Add MS 34034-34037 Manuscript of Middlemarch: a Study of Provincial Life by George Eliot. Held at British Library, London, UK. © Garnault Ouvry. https://www.bl.uk/collection-items/manuscript-of-middlemarch-by-george-eliot Original, handwritten manuscript page from George Eliot's Middlemarch notebooks.
MS-24 Middlemarch Book 3, Chapter 29. Manuscript Page 71 (322/88) Including the epigraph quoting Oliver Goldsmith's The Vicar of Wakefield (1766), the narrator explicitly asks why Dorothea's point of view is given primacy when reflecting on the Casaubons' marriage. George Eliot, author of Middlemarch 1871-72 .png 1 page Add MS 34034-34037 Manuscript of Middlemarch: a Study of Provincial Life by George Eliot. Held at British Library, London, UK. © Garnault Ouvry. https://www.bl.uk/collection-items/manuscript-of-middlemarch-by-george-eliot Original, handwritten manuscript page from George Eliot's Middlemarch notebooks.
MS-25 Middlemarch Book 3, Chapter 31.Manuscript Page 104 (375/121) The narrator depicts a contrived marriage proposal scene between Lydgate and Rosamond. George Eliot, author of Middlemarch 1871-72 .png 1 page Add MS 34034-34037 Manuscript of Middlemarch: a Study of Provincial Life by George Eliot. Held at British Library, London, UK. © Garnault Ouvry. https://www.bl.uk/collection-items/manuscript-of-middlemarch-by-george-eliot Original, handwritten manuscript page from George Eliot's Middlemarch notebooks.
MS-26 Middlemarch Book 4, Chapter 31. Manuscript Page 135 (403/151) Philosophising on the trait of goodness in relation to Featherstone's funeral. George Eliot, author of Middlemarch 1871-72 .png 1 page Add MS 34034-34037 Manuscript of Middlemarch: a Study of Provincial Life by George Eliot. Held at British Library, London, UK. © Garnault Ouvry. https://www.bl.uk/collection-items/manuscript-of-middlemarch-by-george-eliot Original, handwritten manuscript page from George Eliot's Middlemarch notebooks.
MS-27 Middlemarch Book 4, Chapter 34. Manuscript Page 139 (409/155 A moment of prolepsis as the narrator relates how Dorothea comes to associate Featherstone's funeral with a despondent period in her own life. George Eliot, author of Middlemarch 1871-72 .png 1 page Add MS 34034-34037 Manuscript of Middlemarch: a Study of Provincial Life by George Eliot. Held at British Library, London, UK. © Garnault Ouvry. https://www.bl.uk/collection-items/manuscript-of-middlemarch-by-george-eliot Original, handwritten manuscript page from George Eliot's Middlemarch notebooks.
MS-28 Middlemarch Book 4, Chapter 35. Manuscript Page 148 (416/164) The narrator theriomorphises the attendants of Featherstone's funeral, comparing them with the animals of Noah's Ark. George Eliot, author of Middlemarch 1871-72 .png 1 page Add MS 34034-34037 Manuscript of Middlemarch: a Study of Provincial Life by George Eliot. Held at British Library, London, UK. © Garnault Ouvry. https://www.bl.uk/collection-items/manuscript-of-middlemarch-by-george-eliot Original, handwritten manuscript page from George Eliot's Middlemarch notebooks.
MS-29 Middlemarch Book 4, Chapter 37. Manuscript Page 191 (453/204) The narrator explains how events on the national political and historical stage are mirrored in Middlemarch through provincial reactions to The Pioneer newspaper. George Eliot, author of Middlemarch 1871-72 .png 1 page Add MS 34034-34037 Manuscript of Middlemarch: a Study of Provincial Life by George Eliot. Held at British Library, London, UK. © Garnault Ouvry. https://www.bl.uk/collection-items/manuscript-of-middlemarch-by-george-eliot Original, handwritten manuscript page from George Eliot's Middlemarch notebooks.
MS-30 Middlemarch Book 4, Chapter 38. Manuscript Page 217 (230) The narrator invites the reader to agree with their view of Dorothea in relation to her wanting to provide Ladislaw with an income. George Eliot, author of Middlemarch 1871-72 .png 1 page Add MS 34034-34037 Manuscript of Middlemarch: a Study of Provincial Life by George Eliot. Held at British Library, London, UK. © Garnault Ouvry. https://www.bl.uk/collection-items/manuscript-of-middlemarch-by-george-eliot Original, handwritten manuscript page from George Eliot's Middlemarch notebooks.
MS-31 Middlemarch Book 4, Chapter 40. Manuscript Page 256 (267) Including an epigraph written by Eliot, the omniscient narrator uses scientific analogy to effect a change of place and cause on plot when shifting narrative focus to the Garth's breakfast table. George Eliot, author of Middlemarch 1871-72 .png 1 page Add MS 34034-34037 Manuscript of Middlemarch: a Study of Provincial Life by George Eliot. Held at British Library, London, UK. © Garnault Ouvry. https://www.bl.uk/collection-items/manuscript-of-middlemarch-by-george-eliot Original, handwritten manuscript page from George Eliot's Middlemarch notebooks.
MS-32 Middlemarch Book 4, Chapter 40. Manuscript Page 272 (283) The narrator chastises societal ideas on female beauty in relation Mary Garth. George Eliot, author of Middlemarch 1871-72 .png 1 page Add MS 34034-34037 Manuscript of Middlemarch: a Study of Provincial Life by George Eliot. Held at British Library, London, UK. © Garnault Ouvry. https://www.bl.uk/collection-items/manuscript-of-middlemarch-by-george-eliot Original, handwritten manuscript page from George Eliot's Middlemarch notebooks.
MS-33 Middlemarch Book 4, Chapter 42. Manuscript Page 290 (6) The narrator examines Casaubon's motives for adding the codicil to his will. George Eliot, author of Middlemarch 1871-72 .png 1 page Add MS 34034-34037 Manuscript of Middlemarch: a Study of Provincial Life by George Eliot. Held at British Library, London, UK. © Garnault Ouvry. https://www.bl.uk/collection-items/manuscript-of-middlemarch-by-george-eliot Original, handwritten manuscript page from George Eliot's Middlemarch notebooks.
MS-34 Middlemarch Book 5, Chapter 43. Manuscript Page 3 (30/2) The narrator relishes in relating a much-anticipated meeting of the heroines, Dorothea and Rosamond. George Eliot, author of Middlemarch 1871-72 .png 1 page Add MS 34034-34037 Manuscript of Middlemarch: a Study of Provincial Life by George Eliot. Held at British Library, London, UK. © Garnault Ouvry. https://www.bl.uk/collection-items/manuscript-of-middlemarch-by-george-eliot Original, handwritten manuscript page from George Eliot's Middlemarch notebooks.
MS-35 Middlemarch Book 5, Chapter 45. Manuscript Page 18 (35/15) The narrator explains how opinions travel and echo each other in relation to Middlemarchers opposing the New Fever Hospital and adopting a distrust of Lydgate. George Eliot, author of Middlemarch 1871-72 .png 1 page Add MS 34034-34037 Manuscript of Middlemarch: a Study of Provincial Life by George Eliot. Held at British Library, London, UK. © Garnault Ouvry. https://www.bl.uk/collection-items/manuscript-of-middlemarch-by-george-eliot Original, handwritten manuscript page from George Eliot's Middlemarch notebooks.
MS-36 Middlemarch Book 5, Chapter 46. Manuscript Page 44 (41/42) The narrator reflects on how events on the national political and historical stage are also felt in the provinces in relation to the Reform Bill (The Reform Act, 1832). George Eliot, author of Middlemarch 1871-72 .png 1 page Add MS 34034-34037 Manuscript of Middlemarch: a Study of Provincial Life by George Eliot. Held at British Library, London, UK. © Garnault Ouvry. https://www.bl.uk/collection-items/manuscript-of-middlemarch-by-george-eliot Original, handwritten manuscript page from George Eliot's Middlemarch notebooks.
MS-37 Middlemarch Book 5, Chapter 46. Manuscript Page 47 (45) The narrator encourages us to identify with Ladislaw in terms of the challenge of finding a purpose in life. George Eliot, author of Middlemarch 1871-72 .png 1 page Add MS 34034-34037 Manuscript of Middlemarch: a Study of Provincial Life by George Eliot. Held at British Library, London, UK. © Garnault Ouvry. https://www.bl.uk/collection-items/manuscript-of-middlemarch-by-george-eliot Original, handwritten manuscript page from George Eliot's Middlemarch notebooks.
MS-38 Middlemarch Book 6, Chapter 56. Manuscript Page 183 (27) Reflections on local attitudes towards the railway. George Eliot, author of Middlemarch 1871-72 .png 1 page Add MS 34034-34037 Manuscript of Middlemarch: a Study of Provincial Life by George Eliot. Held at British Library, London, UK. © Garnault Ouvry. https://www.bl.uk/collection-items/manuscript-of-middlemarch-by-george-eliot Original, handwritten manuscript page from George Eliot's Middlemarch notebooks.
MS-39 Middlemarch Book 6, Chapter 58. Manuscript Page 229 (58/72) The narrator offers insight into Rosamond's agency and motivations. George Eliot, author of Middlemarch 1871-72 .png 1 page Add MS 34034-34037 Manuscript of Middlemarch: a Study of Provincial Life by George Eliot. Held at British Library, London, UK. © Garnault Ouvry. https://www.bl.uk/collection-items/manuscript-of-middlemarch-by-george-eliot Original, handwritten manuscript page from George Eliot's Middlemarch notebooks.
MS-40 Middlemarch Book 6, Chapter 58. Manuscript Page 237 (65/80) The narrator becomes exasperated with Lydgate's inability to self-reflect. George Eliot, author of Middlemarch 1871-72 .png 1 page Add MS 34034-34037 Manuscript of Middlemarch: a Study of Provincial Life by George Eliot. Held at British Library, London, UK. © Garnault Ouvry. https://www.bl.uk/collection-items/manuscript-of-middlemarch-by-george-eliot Original, handwritten manuscript page from George Eliot's Middlemarch notebooks.
MS-41 Middlemarch Book 6, Chapter 61. Manuscript Page 279 (121) Employing gothic imagery, the narrator illustrates Bulstrode's fear while inviting the reader to sympathise via the use of 'us'. George Eliot, author of Middlemarch 1871-72 .png 1 page Add MS 34034-34037 Manuscript of Middlemarch: a Study of Provincial Life by George Eliot. Held at British Library, London, UK. © Garnault Ouvry. https://www.bl.uk/collection-items/manuscript-of-middlemarch-by-george-eliot Original, handwritten manuscript page from George Eliot's Middlemarch notebooks.
MS-42 Middlemarch Book 7, Chapter 64. Manuscript Page 36 (35) Reflections on Lydgate and marriage from Rosamond's perspective. George Eliot, author of Middlemarch 1871-72 .png 1 page Add MS 34034-34037 Manuscript of Middlemarch: a Study of Provincial Life by George Eliot. Held at British Library, London, UK. © Garnault Ouvry. https://www.bl.uk/collection-items/manuscript-of-middlemarch-by-george-eliot Original, handwritten manuscript page from George Eliot's Middlemarch notebooks.
MS-43 Middlemarch Book 7, Chapter 65. Manuscript Page 45 (44) The narrator offers the internal reflections of Lydgate and Rosamond following a disagreement. George Eliot, author of Middlemarch 1871-72 .png 1 page Add MS 34034-34037 Manuscript of Middlemarch: a Study of Provincial Life by George Eliot. Held at British Library, London, UK. © Garnault Ouvry. https://www.bl.uk/collection-items/manuscript-of-middlemarch-by-george-eliot Original, handwritten manuscript page from George Eliot's Middlemarch notebooks.
MS-44 Middlemarch Book 7, Chapter 70. Manuscript Page 112 (110) The narrator reflects on Lydgate's reaction to Bulstrode’s financial assistance and Bulstrode's diseased moral character. George Eliot, author of Middlemarch 1871-72 .png 1 page Add MS 34034-34037 Manuscript of Middlemarch: a Study of Provincial Life by George Eliot. Held at British Library, London, UK. © Garnault Ouvry. https://www.bl.uk/collection-items/manuscript-of-middlemarch-by-george-eliot Original, handwritten manuscript page from George Eliot's Middlemarch notebooks.
MS-45 Middlemarch Book 7, Chapter 71. Manuscript Page 130 (128) The narrator describes the circulation of gossip following Raffles' death at Stone Court. George Eliot, author of Middlemarch 1871-72 .png 1 page Add MS 34034-34037 Manuscript of Middlemarch: a Study of Provincial Life by George Eliot. Held at British Library, London, UK. © Garnault Ouvry. https://www.bl.uk/collection-items/manuscript-of-middlemarch-by-george-eliot Original, handwritten manuscript page from George Eliot's Middlemarch notebooks.
MS-46 Middlemarch Book 8, Chapter 74. Manuscript Page 182 (29) The narrator describes Harriet's coming to forgiveness of her husband, Bulstrode. George Eliot, author of Middlemarch 1871-72 .png 1 page Add MS 34034-34037 Manuscript of Middlemarch: a Study of Provincial Life by George Eliot. Held at British Library, London, UK. © Garnault Ouvry. https://www.bl.uk/collection-items/manuscript-of-middlemarch-by-george-eliot Original, handwritten manuscript page from George Eliot's Middlemarch notebooks.
MS-47 Middlemarch Book 8, Chapter 75. Manuscript Page 185 (32) The narrator reveals Rosamond's self-delusion regarding Ladislaw and her discontent with her own marriage. George Eliot, author of Middlemarch 1871-72 .png 1 page Add MS 34034-34037 Manuscript of Middlemarch: a Study of Provincial Life by George Eliot. Held at British Library, London, UK. © Garnault Ouvry. https://www.bl.uk/collection-items/manuscript-of-middlemarch-by-george-eliot Original, handwritten manuscript page from George Eliot's Middlemarch notebooks.
MS-48 Middlemarch Book 8, Chapter 76. Manuscript Page 197 (44) Through comforting Lydgate, the narrator reveals Dorothea's desire to overcome societal constraints regarding youth and gender. George Eliot, author of Middlemarch 1871-72 .png 1 page Add MS 34034-34037 Manuscript of Middlemarch: a Study of Provincial Life by George Eliot. Held at British Library, London, UK. © Garnault Ouvry. https://www.bl.uk/collection-items/manuscript-of-middlemarch-by-george-eliot Original, handwritten manuscript page from George Eliot's Middlemarch notebooks.
MS-49 Middlemarch Book 8, Chapter 80. Manuscript Page 237 (84) Dorothea realises her love for Ladislaw. George Eliot, author of Middlemarch 1871-72 .png 1 page Add MS 34034-34037 Manuscript of Middlemarch: a Study of Provincial Life by George Eliot. Held at British Library, London, UK. © Garnault Ouvry. https://www.bl.uk/collection-items/manuscript-of-middlemarch-by-george-eliot Original, handwritten manuscript page from George Eliot's Middlemarch notebooks.
MS-50 Middlemarch Book 8, Chapter 81. Manuscript Page 254 (104/101) Dorothea and Rosamond confide in one another, sharing their thoughts and feelings on marriage. George Eliot, author of Middlemarch 1871-72 .png 1 page Add MS 34034-34037 Manuscript of Middlemarch: a Study of Provincial Life by George Eliot. Held at British Library, London, UK. © Garnault Ouvry. https://www.bl.uk/collection-items/manuscript-of-middlemarch-by-george-eliot Original, handwritten manuscript page from George Eliot's Middlemarch notebooks.
MS-51 Middlemarch Book 8, Chapter 85. Manuscript Page 293 (139) Including the epigraph, quoting John Bunyan's Pilgrim's Progress (1678), the narrator invites the reader to be wary of judging others in relation to Bulstrode's departure from Middlemarch. George Eliot, author of Middlemarch 1871-72 .png 1 page Add MS 34034-34037 Manuscript of Middlemarch: a Study of Provincial Life by George Eliot. Held at British Library, London, UK. © Garnault Ouvry. https://www.bl.uk/collection-items/manuscript-of-middlemarch-by-george-eliot Original, handwritten manuscript page from George Eliot's Middlemarch notebooks.
MS-52 Middlemarch Book 8, Finale. Manuscript Page 305 The narrator begins by addressing the reader with a series of questions relating to the potential futures of the characters before focusing on Dorothea, her idealism and altruism. George Eliot, author of Middlemarch 1871-72 .png 1 page Add MS 34034-34037 Manuscript of Middlemarch: a Study of Provincial Life by George Eliot. Held at British Library, London, UK. © Garnault Ouvry. https://www.bl.uk/collection-items/manuscript-of-middlemarch-by-george-eliot Original, handwritten manuscript page from George Eliot's Middlemarch notebooks.
P-06 Crowd scene at the Middlemarch hustings Side view of the crowd attending the Middlemarch hustings with cast in costume holding placards and an effigy of Brooke. Film crew and equipment visible in the foreground. John Smith, curator of Stamford Museum (1977-1997) 1993-08-04 .png 1 x 35mm transparency (copy) Private collection of John Smith, curator of Stamford Museum 1977-1997. Images taken during the filming of Middlemarch in Stamford. Colour photograph. Exterior street view. Taken in profile, cast in costume assemble in the town square for a crowd scene, with all looking right towards a hustings podium (out of shot). A cloth effigy of Brooke wearing jacket, trousers and hat is raised above the crowd. Crew members and filming equipment can be seen in the foreground. A boom is held above the crowd. In the background, 17th-18th century stone buildings line the square.
P-010 Lydgate arriving in Middlemarch by stagecoach, (rear view of the stagecoach) Rear view of the stagecoach as Lydgate and fellow travellers arrive in Middlemarch. John Smith, curator of Stamford Museum (1977-1997) 1993-08-05 .png 1 x 35mm transparency (copy) Previously unpublished: private collection of John Smith, curator of Stamford Museum 1977-1997. Images taken during the filming of Middlemarch in Stamford. Colour photograph. A stagecoach with 'London Newark' painted on the rear box turns into the market square. Carrying four people, Lydgate is seen from the back, sitting on the right wearing a grey coat and black top hat. A gravel road and market stall can be seen in the distance. In the foreground on the left two people are just in shot, one in costume, one crew member/onlooker.
P-030 Stragglethorpe Hall, Lincolnshire (Stone Court) Exterior shot of Stragglethorpe Hall, Lincolnshire (taken from the driveway) which features in the BBC series Middlemarch as Stone Court, the Featherstone's estate which Bulstrode purchases from Joshua Rigg following Featherstone's death. John Smith, curator of Stamford Museum (1977-1997) 1994-02 .png 2 x 35mm transparency (copy) Previously unpublished: private collection of John Smith, curator of Stamford Museum 1977-1997. Images taken during the filming of Middlemarch in Stamford. Colour photograph of the exterior of Stragglethorpe Hall, taken from the tree-lined driveway. A late Elizabethan country house, it has a stone base with black timber framing and mullioned windows.
P-055 Cast in costume outside of The Pioneer newspaper office Cast in costume outside of The Pioneer newspaper office with film production crew and equipment in the background. Shot on location, Austin Street, Stamford. John Smith, curator of Stamford Museum (1977-1997) 1993-07-10 .png 1 x 35mm transparency (copy) Private collection of John Smith, curator of Stamford Museum 1977-1997. Images taken during the filming of Middlemarch in Stamford. Colour photograph. Exterior street view of The Pioneer newspaper Office. The Pioneer sign (red background with gold font) is visible above the door of a stone building with Sheep Street etched into the brickwork. On the cobbled street in front of the doorway a group of male cast members in costume stand in a circle chatting between filming. Crew members and lighting equipment are visible in the background.
P-056 Interior set of The Pioneer newspaper office (1) Interior set of The Pioneer newspaper office with view of desk, chair and papers. John Smith, curator of Stamford Museum (1977-1997) 1993-07-10 .png 1 x 35mm transparency (copy) Private collection of John Smith, curator of Stamford Museum 1977-1997. Images taken during the filming of Middlemarch in Stamford. Colour photograph. Interior of The Pioneer Newspaper Office. Wooden shelving, cupboards and drawers line the back wall with a short ladder propped against a cupboard on the right. In the foreground a red varnish wooden chair and table with paper documents, a candle holder and writing equipment.
P-057 Barn Hill House, Stamford (Fever Hospital) Front exterior of Barn Hill House, Stamford, which features in the BBC series Middlemarch as the Fever Hospital. John Smith, curator of Stamford Museum (1977-1997) 1993-08-13 .png 1 x 35mm transparency (copy) Private collection of John Smith, curator of Stamford Museum 1977-1997. Images taken during the filming of Middlemarch in Stamford. Colour photograph of front exterior of a large Georgian three-storey house built in pale stone. Includes a decorative portico with four ionic style columns.
P-058 Interior set of Lydgate's study at the Fever Hospital (1) Interior set of Lydgate's study in the Fever Hospital with view of medicine cabinet. John Smith, curator of Stamford Museum (1977-1997) 1993-07-10 .png 1 x 35mm transparency (copy) Private collection of John Smith, curator of Stamford Museum 1977-1997. Images taken during the filming of Middlemarch in Stamford. Colour photograph. Interior view of an 19th century hospital office set. White walls. Tall white medicine cabinets (top half with paned glass cupboards) line the far wall. Medicine bottles varying shapes and sizes can be seen through the glass doors. A small step ladder is propped against the cabinets on the right. On the right in the foreground, a small desk with drawers and a fold-out table made of dark wood. Both hold medical paraphernalia such as scales, bottles and test tubes.
P-073 Exterior street set of Mawmsey's Grocery with Mawmsey, Lydgate and Farebrother Exterior street set of Mawmsey's Grocery with Mawmsey talking to Lydgate and Farebrother as they walk through the Square. Image taken during filming. John Smith, curator of Stamford Museum (1977-1997) 1993-07-25 .png 1 x 35mm transparency (copy) Private collection of John Smith, curator of Stamford Museum 1977-1997. Images taken during the filming of Middlemarch in Stamford. Colour photograph. Exterior street view outside Mawmsey's Grocery, an 18th century stone building with large doorway with grocery produce stacked outside. Mawmsey, on the left, in shopkeeper's costume in long white apron stands talking to Lydgate and Farebrother on the right in gentlemen's costume in long black coats and top hats. Behind them on the right, an extra in costume unloads good from a stagecoach with a sign on the side which reads: Mr F Mawmsey Purveyor of Fine Foods.
P-074 Doorway entrance set to Mawmsey's Grocery (1) Doorway entrance set to Mawmsey's Grocery with signage and props (1) John Smith, curator of Stamford Museum (1977-1997) 1993-07-27 .png 1 x 35mm transparency (copy) Private collection of John Smith, curator of Stamford Museum 1977-1997. Images taken during the filming of Middlemarch in Stamford. Colour photograph. Exterior street view of the large stone porch entry to Mawmsey's Grocers. Props including sacks of produce and baskets of leafy vegetables can be seen on the left and right on the street floor with a wooden storage box and jar sitting inside the porch. A wall mounted sign can be seen to the left of the porch reading: Mr F Mawmsey. High Quality Grocer Tea Dealer and Coffee Roaster Established 1738.
P-076 Exterior street set of Mawmsey's Grocery and the Coffee House Exterior street set of Mawmsey's Grocery and the Coffee House with crew members and passersby. Shot on location 1993-07-25. John Smith, curator of Stamford Museum (1977-1997) 1993-07-25 .png 1 x 35mm transparency (copy) Private collection of John Smith, curator of Stamford Museum 1977-1997. Images taken during the filming of Middlemarch in Stamford. Colour photograph. Exterior street view of 17th-18th century stone buildings used as the frontage for Mawmsey's Grocery and the Coffee House. Taken at a three-quarter angle pointing to the right, the Coffee House is in the foreground with its signage above paned windows visible: cream background with blue border and bold capitalised lettering. The set is under de/construction with male crew members working picking up props. Signage, baskets of leafy vegetables and produce sacks litter the scene. Other passersby/crew include a man walking into the scene from the right and an elderly lady entering the coffee house blue door.
P-083 Interior set of Mawmsey's Grocery Interior set of Mawmsey's Grocery, including a dresser and table with food goods on display (image taken from the right) John Smith, curator of Stamford Museum (1977-1997) 1993-08-13 .png 1 x 35mm transparency (copy) Private collection of John Smith, curator of Stamford Museum 1977-1997. Images taken during the filming of Middlemarch in Stamford. Colour photograph of the interior of Mawmsey's Grocery. Dark wooden drawer cabinets line the back wall with tall canisters on top and small bags and items placed in shelving niches. In the foreground, on a table is a set of scales and various produce: cheese, meat, butter, bread. A brass chandelier with candles hangs above the table along with bunches of dried herbs.
P-093 Cast in costume Four characters in costume: two in the foreground represent the gossips in Middlemarch on exterior set in Stamford. John Smith, curator of Stamford Museum (1977-1997) 1993-08-05 .png 1 x 35mm transparency (copy) Private collection of John Smith, curator of Stamford Museum 1977-1997. Images taken during the filming of Middlemarch in Stamford. Colour photograph. Street view. In the foreground two mature female cast members in costume stand chatting between filming. Both wear long over cloaks (one in plum, one in brown) and bonnets. In the background, a 17th-18th century stone building and doorway. On the left, a young girl (aged 10) in costume of cloak and bonnet and on the right, a man (aged 30) wearing a top hat stands with his dog.
P-102 Hustings set (front view) Front view of the podium for the hustings set with crew members and cast in costume in the background. John Smith, curator of Stamford Museum (1977-1997) 1993-08-04 .png 1 x 35mm transparency (copy) Private collection of John Smith, curator of Stamford Museum 1977-1997. Images taken during the filming of Middlemarch in Stamford. Colour photograph. Exterior street view of one corner of a town square with 17th-18th century buildings lining the far and left sides. Bright blue sky can be seen above the buildings. In the background a wooden hustings podium with a roof and a banner reading: 'Brooke of Tipton Your Man for Parliament' in bold capitalised brown lettering. Two male cast members in costume stand on the left along with two crew members/passersby. On the left side in the foreground is a market stall with baskets of fruit is partially covered with a red tarp. A crew member sits at the far end.
P-105 Middlemarch market stalls, hustings day 2 Middlemarch market stall set with props taken during filming of the hustings, day 2. John Smith, curator of Stamford Museum (1977-1997) 1993-08-04 .png 1 x 35mm transparency (copy) Private collection of John Smith, curator of Stamford Museum 1977-1997. Images taken during the filming of Middlemarch in Stamford. Colour photograph. Exterior street view of a market stall in front of 17th-18th century stone buildings. Covered in a red tarp, the stall is stacked with baskets of fruit and vegetables. On the right, a Union Jack flag is propped in one of the baskets.
P-108 Brooke's coach (1) Brooke's coach arrives with Rufus Sewell (Ladislaw) in costume, crew members and filming equipment. John Smith, curator of Stamford Museum (1977-1997) 02/08/1993 .png 1 x 35mm transparency (copy) Private collection of John Smith, curator of Stamford Museum 1977-1997. Images taken during the filming of Middlemarch in Stamford. Colour photograph of filming in St George's Square Stamford. On the left, Brooke's stagecoach pulled by two gray horses facing right. A driver in costume sits on the box wearing a brown cloak and short top hat. Rufus Sewell (Ladislaw) in costume wearing maroon long coat and black top hat stands in the foreground facing away from the camera while crew members and equipment (microphone boom and camera) can be seen on the right. 17th and 18th century stone buildings can be seen in the background, including the shop front facade of Middlemarch Druggists.
P-109 Aerial view of hustings set Aerial view of the hustings set, with crowd of cast in costume. Film crew and equipment can be seen around the edges of the scene. Shot on location, St George's Square, Stamford. John Smith, curator of Stamford Museum (1977-1997) 1993-08-04 .png 1 x 35mm transparency (copy) Private collection of John Smith, curator of Stamford Museum 1977-1997. Images taken during the filming of Middlemarch in Stamford. Colour photograph. Exterior aerial street view of the market square lined with 17th-18th century buildings. In the background a wooden hustings podium is full of cast in costume with some crew members holding sound equipment. A crowd in costume is assembled in front of the podium. Carriages, horses, market stalls and lighting equipment line the edge of the scene.
P-126 Aerial view of film crew working at night Aerial view of film crew working at night in St George's Square, Stamford. John Smith, curator of Stamford Museum (1977-1997) 1993-07-29 .png 1 x 35mm transparency (copy) Previously unpublished: private collection of John Smith, curator of Stamford Museum 1977-1997. Images taken during the filming of Middlemarch in Stamford. Colour aerial photograph of filming at night in St George's Square. Surrounded by 17th and 18th century stone buildings, cast and crew members can be seen working while onlookers are visible on the edge behind a barrier. The scene also includes a horse, a crane with lighting equipment, ladders and screens.
P-145 Interior of The Pioneer newspaper office (2) Interior of The Pioneer newspaper office with an open bureau and copy sheets on display. John Smith, curator of Stamford Museum (1977-1997) 1993-07-10 .png 1 x 35mm transparency (copy) Private collection of John Smith, curator of Stamford Museum 1977-1997. Images taken during the filming of Middlemarch in Stamford. Colour photograph. Interior of The Pioneer Newspaper Office. On the left, a row of sloped wooden cabinets have printed papers laid out to dry. An analogue clock reading 10.00 hangs on the wall above. On the right, a large writing bureau with drawers can be partially seen. Around the room printed papers are pegged out on string to dry.
P-150 Interior set of the Vincys' drawing room with view through open door into breakfast room (5) Interior set of the Vincy's drawing room with a table, chairs, and view through an open door into the breakfast room. John Smith, curator of Stamford Museum (1977-1997) 22/07/1993 .png 1 x 35mm transparency (copy) Private collection of John Smith, curator of Stamford Museum 1977-1997. Images taken during the filming of Middlemarch in Stamford. Colour photograph of an interior drawing room with duck egg blue walls and door (on the left) and framed botanical illustrations hanging from the picture rail. In the foreground, a dark wood chair with cream upholstery is positioned behind a small dark wood table with embroidery materials placed on top. An adjoining white door in the centre allows a partial view into the breakfast room with covered chairs and a large chandelier.
P-197 Interior set of Mawmsey's Grocery during construction Interior set of Mawmsey's Grocery taken during construction. Film crew, production equipment and materials surround the set (taken from the right). John Smith, curator of Stamford Museum (1977-1997) 1993-08-13 .png 1 x 35mm transparency (copy) Private collection of John Smith, curator of Stamford Museum 1977-1997. Images taken during the filming of Middlemarch in Stamford. Colour photograph. Interior. Large studio space with the construction of the interior set of Mawmsey's Grocery in progress. In the mid-ground, a wooden box frame with a roof provides the set of the store containing props such as hanging meat, tables and baskets of fresh produce. Screens, lighting and other equipment can be seen in the foreground.
P-203 Scissor lifts lighting room from street Two scissor lifts with lighting equipment installed outside a building in Stamford to create lightning effect in Fred Vincy's bedroom. John Smith, curator of Stamford Museum (1977-1997) 1993-07-20 .png 1 x 35mm transparency (copy) Private collection of John Smith, curator of Stamford Museum 1977-1997. Images taken during the filming of Middlemarch in Stamford. Colour photograph of a busy street view in Stamford with two scissor lifts placed outside one of the buildings on the right. Both hold lighting equipment positioned outside two windows on the third floor of the building where the Vincy breakfast scene is to be filmed.
P-204 Anthony Page, Director of the BBC series Middlemarch with Patrick Malahide (Casaubon) Anthony Page, director of BBC series Middlemarch chatting with Patrick Malahide in costume (Casaubon) on location in Rome. Susie Conklin, Script Editor for Middlemarch, 1994. 1993-01 .png 1 x Print Private Collection of Susie Conklin, Script Editor for Middlemarch, 1994. Colour photograph. Patrick Malahide (Casaubon) stands in costume (black long coat, waistcoat, top hat and gloves) facing to the left holding a small red book chatting to Director, Anthony Page wearing a long camel coat and flat cap on set in Rome: includes a cobbled street lightly covered with straw, a market stall in the background on the right and cast in costume chatting on the left.
P-213 Brympton d'Evercy (Lowick Manor) View of entrance front. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F4 2023-01 .png 1 x JPEG D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104 Colour photograph. Exterior front of Brympton d'Evercy manor house. Built in numerous architectural styles spanning over 700 years, with oriel windows and a castellated roof on the left. The house also has a sculpted coat of arms on the front of the building, a grand protruding porch and a weathervane.
P-215 Brympton d'Evercy grounds (Lowick Manor) Wall-lined gravel walk which features as the Yew tree walk at Lowick. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F5 2023-01 .png JPEG D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104 Colour photograph of a walled garden and gravel walk. With an 18th century red brick wall on the left with trellises and climbing plants, the gravel walk is flanked on the right by a formal garden segmented with low hedges.
P-216 St Andrew's Church, Brympton d'Evercy (interior) Entrance to the churchyard. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F6 2023-01 .png JPEG D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104 Colour photograph of the exterior of the 13th century Anglican parish church built from sand-coloured stone ashlar with a castellated roof. Taken from just outside a black iron entry gate with stone steps leading down to the church, the bell tower is visible on the right. View of a stained glass window is obscured by green foliage from trees and bushes in the foreground.
P-217 St Andrew's Church, Brympton d'Evercy (interior) View of the nave. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F7 2023-01 .png JPEG D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104 Colour photograph of the interior of the 13th century Anglican parish church built from sand-coloured stone ashlar. Taken from the nave, wooden pews can be seen in the foreground with red and black tiled flooring throughout. In the midground, a wooden pulpit can be seen on the left and a lectern on the right. A decorated stone archway leads to the back of the church.
P-218 St Andrew's Church, Brympton d'Evercy (interior) View of a stone sarcophagus. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F8 2023-01 .png JPEG D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104 Colour photograph of a pale stone sarcophagus-shaped feature comprising a carved male figure lying down holding a cup. Behind and above the feature are some stone carved reliefs.
P-219 Culverthorpe Hall (Tipton Grange) View of front elevation and driveway. 2023-01 .png 1 x JPEG D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104 Colour photograph: Exterior shot of the front elevation of Culverthorpe Hall, a large country mansion built of limestone ashlar with slate roofs and lead dressings. Taken centrally from a gravel driveway, lawns feature on each side with a landscaped island in front of the entrance. The edges of two external buildings are just in view, one on the left, one to the right.
P-220 Culverthorpe Hall (Tipton Grange) Front view of house and stable block. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F4 2023-01 .png 1 x JPEG D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104 Colour photograph: Exterior right-angled shot of the front elevation of historic building Culverthorpe Hall, a large country mansion built of limestone ashlar with slate roofs and lead dressings. A sweeping lawn and gravel driveway can be seen in the foreground with a view of a stone stable block to the left and trees to the right.
P-221 St Andrew's Churchyard, Brympton d'Evercy Rear of church and churchyard Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2023-01 .png JPEG D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104 Colour photograph of the rear exterior of the 13th century Anglican parish church built from sand-coloured stone ashlar set in a walled cemetery. On the right in the foreground, the church with its gothic window and oblong turret bell tower. On the left, the historic house, Brympton d'Evercy manor can be seen in the background
P-222 The Great Hall, Browne's Hospital, Stamford (Old Hospital) View of the board room where Lydgate casts his vote on the hospital chaplaincy. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F4 2023-02-03 .png JPEG D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104 Colour photograph of the interior of the great hall or common room with white walls, dark wooden beamed roof and wood flooring. View down the length of a long wooden table flanked both sides by simple leather studded chairs, ends with a stone gothic arched doorway with a closed wood panelled door.
P-223 Cloisters, Browne's Hospital (Old Hospital) View of the cloisters where Lydgate and Farebrother walk and talk. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F4 2023-02-03 .png JPEG D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104 Colour photograph of a covered walk with stone gothic arches on the left, a wooden roof and flag stone floor. The walk leads to an open, stone gothic arched doorway that enters the building.
P-224 Stone Stairway, Browne's Hospital, Stamford (Old Hospital) View of the stairwell where Lydgate rushes up when late for the Hospital Board Meeting. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F4 2023-02-03 .png JPEG D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104 Colour photograph of stone staircase taken from the first step at the bottom. On the left a rope handrail is fixed to a pale sand-coloured stone wall. Towards the top, the stairs turn to the right with a mullioned glass window overlooking the stairwell. The stairs are clearly worn in places from footfall.
P-225 Austin Street, Stamford (The Pioneer Newspaper Office) Street view. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2023-02-03 .png JPEG D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104 Colour Photograph. Exterior street view of 17th-18th century sand-coloured stone building used as the front entry to The Pioneer Newspaper Office. On the right, pale blue wooden double doors with paned windows.
P-226 Kings Mill Lane, Stamford (exterior for The Geen Dragon Inn) Street View. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F4 2023-02-03 JPEG Street View. D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104 Colour photograph of an exterior street view in Stamford. Looking uphill, a cobbled street, 17th-18th century stone buildings can be seen on the left. Midway up the hill, there is a large stone doorway with covered steps.
P-227 Farmhouse, Yarwell, Northamptonshire (Garth's residence) Street view of house front with walled garden. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F2 2023-03-05 .png JPEG D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104 Colour photograph. Exterior view of a private c 18th century two storey farmhouse. Built of sand coloured stone with grey slate roof, there are three chimneys, paned windows and a lawn running the length of the house.
P-228 Grimsthorpe Castle (Quallingham) Exterior view of the front approach from the driveway. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F5 2023-03-09 .png JPEG Image credit: Grimsthorpe Castle visitors website, Grimsthorpe and Drummond Castle Trust. https://www.grimsthorpe.co.uk/ Colour photograph of historic building Grimsthorpe Castle dating from the 13th century. Taken from the front approach, two square turrets flank both sides of the main building with black railing and gates marking the end of the driveway. Statues and decorative features adorn the building while trees and bushes hint at the extensive grounds behind.
PF-01 Reading of Middlemarch, Prelude, p.13. Voiced by Lesley Smith. Universalising of the novel's heroine and dominant themes through philosophical, historical and religious allusion. Recorded by Tim Hall. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-09-21 MP4 00:04:15 D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104
PF-02 Reading of Middlemarch Book 1, Chapter 1, pp. 10-11. Voiced by Lesley Smith. The narrator assesses Dorothea from a suitor's perspective with rhetorical comic and ironic hyperbole. Recorded by Tim Hall. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-09-21 MP4 00:01:33 D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104
PF-03 Reading of Middlemarch Book 1, Chapter 2, p.30. Voiced by Lesley Smith. Inviting the reader to consider abstracting the universal from the particular in relation to marriage. Recorded by Tim Hall. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-09-21 MP4 00:00:28 D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104
PF-04 Reading of Middlemarch Book 1, Chapter 3, pp.34-35. Voiced by Lesley Smith. Contrasting Dorothea's hope and aspirations with her lack of knowledge using comic hyperbole. Recorded by Tim Hall. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-09-21 MP4 00:01:14 D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104
PF-05 Reading of Middlemarch Book 1, Chapter 3, p. 38. Voiced by Lesley Smith. The narrator reveals Dorothea's unconventional matrimonial aims as seen from a typical 1820s perspective. Recorded by Tim Hall. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-09-21 MP4 00:00:56 D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104
PF-06 Reading of Middlemarch Book 1, Chapter 6, pp. 85-87. Voiced by Lesley Smith. The narrator examines the preoccupations of Mrs Cadwallader using her as a comic vehicle to explore provincial life. Recorded by Tim Hall. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-09-21 MP4 00:04:36 D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104
PF-07 Reading of Middlemarch Book 1, Chapter 6, p.90. Voiced by Lesley Smith. The narrator encourages altruism. Recorded by Tim Hall. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-09-21 MP4 00:00:29 D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104
PF-08 Reading of Middlemarch Book 1, Chapter 7, p. 96. Voiced by Lesley Smith. A foreshadowing of future events in relation to Brooke. Recorded by Tim Hall. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-09-21 MP4 00:01:04 D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104
PF-09 Reading of Middlemarch Book 1, Chapter 10, pp. 123-28. Voiced by Lesley Smith. The narrator assesses and compares Ladislaw and Casaubon with comedic sympathy. Recorded by Tim Hall. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-09-21 MP4 00:06:22 D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104
PF-10 Reading of Middlemarch Book 1, Chapter 10, pp. 131-134. Voiced by Lesley Smith. The narrator offers insight into Middlemarch class hierarchy through a survey of the guests at Brooke's dinner party. Recorded by Tim Hall. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-09-21 MP4 00:02:38 D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104
PF-11 Reading of Middlemarch Book 1, Chapter 11, pp. 141-43. Voiced by Lesley Smith. Philosophising on the role of Destiny in determining the future in relation to the characters of Middlemarch. Recorded by Tim Hall. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-09-21 MP4 00:04:23 D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104
PF-12 Reading of Middlemarch Book 2 Chapter 15. pp. 213-15. Voiced by Lesley Smith. Foregrounding of the narrator as local historian/conductor of a study of Middlemarch life as Lydgate's ambition is contextualised among the hierarchy of doctors of the town. Recorded by Tim Hall. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-09-21 MP4 00:04:38 D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104
PF-13 Reading of Middlemarch Book 2, Chapter 15, pp. 218-19. Voiced by Lesley Smith. Philosophising on the effects of love and passion on male ambition and achievement. Recorded by Tim Hall. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-09-21 MP4 00:02:24 D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104
PF-14 Reading of Middlemarch Book 2, Chapter 15, pp. 223-24. Voiced by Lesley Smith. The narrator reflects on scientifc progress and knowledge (1820s-1870) in relation to Lydgate's medical research and professional ambition. Recorded by Tim Hall. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-09-21 MP4 00:02:09 D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104
PF-15 Reading of Middlemarch Book 2, Chapter 16, pp. 251-52. Voiced by Lesley Smith. Free indirect narration offering insight into how Rosamond and Lydgate perceive one another. Recorded by Tim Hall. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-09-21 00:03:09 D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104
PF-16 Reading of Middlemarch Book 2, Chapter 19, pp. 287-88. Voiced by Lesley Smith. Contextualising Dorothea's honeymoon journey to Rome within a broader historical and cultural milieu Recorded by Tim Hall. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-09-21 MP4 00:01:26 D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104
PF-17 Reading of Middlemarch Book 2, Chapter 20, pp. 297-300. Voiced by Lesley Smith. Free indirect narration with rhetorical questions offering insight into Dorothea's experience of early married life to Casaubon. Recorded by Tim Hall. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-09-21 MP4 00:06:15 D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104
PF-18 Reading of Middlemarch Book 2, Chapter 21, p. 323. Voiced by Lesley Smith. Philosophising on knowledge of the self and others through Dorothea's disillusionment with her marriage to Casaubon. Recorded by Tim Hall. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-09-21 MP4 00:01:28 D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104
PF-19 Reading of Middlemarch Book 2, Chapter 22, p. 322. Voiced by Lesley Smith. The narrator reveals Ladislaw's strength of feeling for Dorothea while refusing to repeat the crude and inflated speech of Naumann in relation to the Casaubons. Recorded by Tim Hall. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-09-21 MP4 00:00:44 D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104
PF-20 Reading of Middlemarch Book 3, Chapter 23, pp. 351-52. Voiced by Lesley Smith. The narrator includes themselves and the reader via the pronoun 'we' to elicit empathy in relation to Fred Vincy asking a favour of Caleb Garth. Recorded by Tim Hall. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-09-21 MP4 00:01:33 D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104
PF-21 Reading of Middlemarch Book 3, Chapter 23, pp. 360-61. Voiced by Lesley Smith. The narrator offers an internal and external depiction of Fred Vincy's dealings with Bambridge and Horrock. Recorded by Tim Hall. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-09-21 MP4 00:01:50 D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104
PF-22 Reading of Middlemarch Book 3, Chapter 26, p. 401. Voiced by Lesley Smith. The omniscient narrator reports on the views of the town when Lydgate replaces Wrench as the Vincy's family doctor. Recorded by Tim Hall. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-09-21 MP4 00:01:04 D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104
PF-23 Reading of Middlemarch Book 3, Chapter 27, pp. 403-04. Voiced by Lesley Smith. Including the epigraph written by Eliot, the narrator employs extended metaphor to reflect on the actions of Rosamond. Recorded by Tim Hall. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-09-21 MP4 00:02:08 D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104
PF-24 Reading of Middlemarch Book 3, Chapter 29, pp. 9-11. Voiced by Lesley Smith. Including the epigraph quoting Oliver Goldsmith's The Vicar of Wakefield (1766), the narrator explicitly asks why Dorothea's point of view is given primacy when reflecting on the Casaubons' marriage. Recorded by Tim Hall. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-09-21 MP4 00:05:11 D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104
PF-25 Reading of Middlemarch Book 3, Chapter 31, pp. 42-43. Voiced by Lesley Smith. The narrator depicts a contrived marriage proposal scene between Lydgate and Rosamond. Recorded by Tim Hall. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-09-21 MP4 00:04:08 D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104
PF-26 Reading of Middlemarch Book 4, Chapter 34, pp. 75-76. Voiced by Lesley Smith. Philosophising on the trait of goodness in relation to Featherstone's funeral. Recorded by Tim Hall. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-09-21 MP4 00:02:13 D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104
PF-27 Reading of Middlemarch Book 4, Chapter 34, pp. 79-80. Voiced by Lesley Smith. A moment of prolepsis as the narrator relates how Dorothea comes to associate Featherstone's funeral with a despondent period in her own life. Recorded by Tim Hall. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-09-21 MP4 00:01:32 D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104
PF-28 Reading of Middlemarch Book 4, Chapter 35, pp. 87-88. Voiced by Lesley Smith. The narrator theriomorphises the attendants of Featherstone's funeral, comparing them with the animals of Noah's Ark. Recorded by Tim Hall. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-09-21 MP4 00:01:09 D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104
PF-29 Reading of Middlemarch Book 4, Chapter 37, pp.127-28. Voiced by Lesley Smith. The narrator explains how events on the national political and historical stage are mirrored in Middlemarch through provincial reactions to The Pioneer newspaper. Recorded by Tim Hall. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-09-21 MP4 00:02:15 D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104
PF-30 Reading of Middlemarch Book 4, Chapter 37, p. 151. Voiced by Lesley Smith. The narrator invites the reader to agree with their view of Dorothea in relation to her wanting to provide Ladislaw with an income. Recorded by Tim Hall. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-09-21 MP4 00:00:44 D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104
PF-31 Reading of Middlemarch Book 4, Chapter 40, p. 190. Voiced by Lesley Smith. Including an epigraph written by Eliot, the omniscient narrator uses scientific analogy to effect a change of place and cause on plot when shifting narrative focus to the Garth's breakfast table. Recorded by Tim Hall. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-09-21 MP4 00:01:09 D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104
PF-32 Reading of Middlemarch Book 4, Chapter 40, p. 206. Voiced by Lesley Smith. The narrator chastises societal ideas on female beauty in relation Mary Garth. Recorded by Tim Hall. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-09-21 MP4 00:00:43 D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104
PF-33 Reading of Middlemarch Book 4, Chapter 42, pp.223-24. Voiced by Lesley Smith. The narrator examines Casaubon's motives for adding the codicil to his will. Recorded by Tim Hall. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-09-21 MP4 00:01:17 D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104
PF-34 Reading of Middlemarch Book 5, Chapter 43, pp. 241-42. Voiced by Lesley Smith. The narrator relishes in relating a much-anticipated meeting of the heroines, Dorothea and Rosamond. Recorded by Tim Hall. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-09-21 MP4 00:02:59 D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104
PF-35 Reading of Middlemarch Book 5, Chapter 45, pp. 255-56. Voiced by Lesley Smith. The narrator explains how opinions travel and echo each other in relation to Middlemarchers opposing the New Fever Hospital and adopting a distrust of Lydgate. Recorded by Tim Hall. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-09-21 MP4 00:01:47 D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104
PF-36 Reading of Middlemarch Book 5, Chapter 46, pp. 282. Voiced by Lesley Smith. The narrator reflects on how events on the national political and historical stage are also felt in the provinces in relation to the Reform Bill (The Reform Act, 1832). Recorded by Tim Hall. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-09-21 MP4 00:00:56 D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104
PF-37 Reading of Middlemarch Book 5, Chapter 46, pp. 284-85. Voiced by Lesley Smith. The narrator encourages us to identify with Ladislaw in terms of the challenge of finding a purpose in life. Recorded by Tim Hall. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-09-21 MP4 00:01:55 D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104
PF-38 Reading of Middlemarch Book 6, Chapter 56, Extracts from pp. 30-34. Voiced by Lesley Smith. Reflections on local attitudes towards the railway. Recorded by Tim Hall. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-09-21 MP4 00:02:01 D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104
PF-39 Reading of Middlemarch Book 6, Chapter 58, Extracts from pp. 76-79. Voiced by Lesley Smith. The narrator offers insight into Rosamond's agency and motivations. Recorded by Tim Hall. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-09-21 MP4 00:02:16 D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104
PF-40 Reading of Middlemarch Book 6, Chapter 58, Extracts from 84-87. Voiced by Lesley Smith. The narrator becomes exasperated with Lydgate's inability to self-reflect. Recorded by Tim Hall. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-09-21 MP4 00:01:44 D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104
PF-41 Reading of Middlemarch Book 6, Chapter 61, Extracts from pp. 124-26. Voiced by Lesley Smith. Employing gothic imagery, the narrator illustrates Bulstrode's fear while inviting the reader to sympathise via the use of 'us'. Recorded by Tim Hall. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-09-21 MP4 00:04:53 D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104
PF-42 Reading of Middlemarch Book 7, Chapter 64, p. 195. Voiced by Lesley Smith. Reflections on Lydgate and marriage from Rosamond's perspective. Recorded by Tim Hall. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-09-21 MP4 00:01:02 D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104
PF-43 Reading of Middlemarch Book 7, Chapter 65, p. 203. Voiced by Lesley Smith. The narrator offers the internal reflections of Lydgate and Rosamond following a disagreement. Recorded by Tim Hall. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-09-21 MP4 00:01:00 D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104
PF-44 Reading of Middlemarch Book 7, Chapter 70, p. 267-68. Voiced by Lesley Smith. The narrator reflects on Lydgate's reaction to Bulstrode’s financial assistance and Bulstrode's diseased moral character. Recorded by Tim Hall. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-09-21 MP4 00:01:55 D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104
PF-45 Reading of Middlemarch Book 7, Chapter 71, p. 283. Voiced by Lesley Smith. The narrator describes the circulation of gossip following Raffles' death at Stone Court. Recorded by Tim Hall. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-09-21 MP4 00:01:10 D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104
PF-46 Reading of Middlemarch Book 8, Chapter 74, pp. 333-35. Voiced by Lesley Smith. The narrator describes Harriet's coming to forgiveness of her husband, Bulstrode. Recorded by Tim Hall. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-09-21 MP4 00:04:58 D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104
PF-47 Reading of Middlemarch Book 8, Chapter 75, pp. 337-38. Voiced by Lesley Smith. The narrator reveals Rosamond's self-delusion regarding Ladislaw and her discontent with her own marriage. Recorded by Tim Hall. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-09-21 MP4 00:01:15 D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104
PF-48 Reading of Middlemarch Book 8, Chapter 76, p. 349. Voiced by Lesley Smith. Through comforting Lydgate, the narrator reveals Dorothea's desire to overcome societal constraints regarding youth and gender. Recorded by Tim Hall. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-09-21 MP4 00:01:25 D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104
PF-49 Reading of Middlemarch Book 8, Chapter 80, pp. 388 and 392. Voiced by Lesley Smith. Dorothea realises her love for Ladislaw. Recorded by Tim Hall. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-09-21 MP4 00:02:23 D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104
PF-50 Reading of Middlemarch Book 8, Chapter 81, pp. 404-06. Voiced by Lesley Smith. Dorothea and Rosamond confide in one another, sharing their thoughts and feelings on marriage. Recorded by Tim Hall. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-09-21 MP4 00:02:45 D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104
PF-51 Reading of Middlemarch Book 8, Chapter 85, pp. 443. Voiced by Lesley Smith. Including the epigraph, quoting John Bunyan's Pilgrim's Progress (1678), the narrator invites the reader to be wary of judging others in relation to Bulstrode's departure from Middlemarch. Recorded by Tim Hall. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-09-21 MP4 00:02:56 D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104
PF-52 Reading of Middlemarch Book 8, Finale, Extracts from pp. 455-465. Voiced by Lesley Smith. The narrator begins by addressing the reader with a series of questions relating to the potential futures of the characters before focusing on Dorothea, her idealism and altruism. Recorded by Tim Hall. Created by the Transforming Middlemarch Project Team 2022/23. A project in collaboration with the British Library funded by the Arts and Humanities Research Council - AH/V015575/1. For further information see UK Research and Innovation, Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel: https://gtr.ukri.org/projects?ref=AH%2FV015575%2F1 2022-09-21 MP4 00.03.38 D/104 Papers of Transforming Middlemarch: A Genetic Edition of Andrew Davies' 1994 BBC Adaptation of George Eliot's novel. 2022-2023 https://specialcollections.catalogue.dmu.ac.uk/records/D/104
PM-01 Block 1 filming script cover page Illustrated cover page with filming schedule dates. Block 1: 1st March-9th April, 1993. Susie Conklin, Script Editor for Middlemarch 1993-02 .png 1 page Private Collection of Susie Conklin, Script Editor for Middlemarch, 1994. Original script cover page. Main text reads: Middlemarch, Block 1: 1st March-9th April, 1993. Lilac paper with black line photocopied cartoon illustration of a stage coach being pulled by 4 horses at speed. The BBC logo is printed on the side of the coach while crew members sit amongst piled high luggage, labelled 'props', 'frocks' etc. A speech bubble from the coach driver reads 'Here we go, Here we go, Here we go'.
PM-11 Design detail of exterior signage for The Green Dragon Inn Lea Rickard. From the estate of Mark Rickard, Art Lecturer, Stamford College, UK (1984-1997). Produced by Gerry Scott, BBC Production Designer for Middlemarch. c 1993 .png Page detail Private collection of Lea Rickard. From the estate of Mark Rickard, Art Lecturer, Stamford College, UK (1984-1997). Colour illustration of sign design. Black ink on white paper with annotations regarding dimensions and lettering. Signs coloured brown and green. Main signs read: 'Family Wines & Spirits Available Here' and 'The Green Dragon Inn Good Billiards'
PM-12 Name and emblem design for The Green Dragon Inn pub sign Stamford Museum (1980-2011) Produced by Gerry Scott, BBC Production Designer for Middlemarch. c 1993 .png 1 page Uncatalogued. Lincolnshire Museums Collections, UK Pencil illustration of The Green Dragon pictorial sign on white paper featuring a seated dragon with handwritten annotations regarding dimensions. Sign reads: 'Green Dragon'.
PM-14 Design of corner detail and lettering of a sign for The Green Dragon Inn Stamford Museum (1980-2011) Produced by Gerry Scott, BBC Production Designer for Middlemarch. c 1993 .png 1 page Uncatalogued. Lincolnshire Museums Collections, UK Pencil illustration for the mounting and design of lettered signs for The Green Dragon Inn on white paper with andwritten annotations regarding dimensions. Main sign reads: 'The Green Dragon Inn Fine Ales Fine Cordials Tobacco
PM-23 Maquette of Mawmsey's shop View of the annotated model from the shop front. Stamford Museum (1980-2011) c 1993 .png 1 page Uncatalogued. Lincolnshire Museums Collections, UK Colour photograph of an aerial view of a section of a cardboard maquette of Mamswey's shop fixed to a cardboard base. Focused on the main shop area, room dimensions and fixtures are labelled but not fully legible. The room also includes two maquette sideboards: one on the far wall and one on the left.
PM-24 Maquette detail of Mawmsey's shop Aerial view of the annotated model focusing on the back of the shop. Stamford Museum (1980-2011) c 1993 .png 1 page Uncatalogued. Lincolnshire Museums Collections, UK Colour photograph of a cardboard maquette fixed to a cardboard base. The base is labelled in black marker pen: MAWMSEY'S SHOP. The shop front is missing/open allowing the viewer to see into the shop where three steps lead into the main store. Room dimensions and fixtures are labelled with some legible e.g. Fascia beam, Swinger, Fascia board.
PM-33 Sign design for 'Middlemarch Fever Hospital' banner Produced by Gerry Scott, BBC Production Designer for Middlemarch. Stamford Museum (1980-2011) c 1993 .png 1 page Uncatalogued. Lincolnshire Museums Collections, UK Pencil sketch on white paper with design for a hospital banner reading 'Middlemarch Fever Hospital' in bold script, with measurements: 4100mm X 1500mm. Accompanying annotations reads: Make one-off banner from fabric, Cotton Duck. Hem all around and apply cord ties for fixing to posts. Required for filming loc 'new hospital set' Stamford, Lincs. Delivery Date 2nd July '93
PM-47 Sketch for the White Hart Hotel pictorial sign Sketch produced by Gerry Scott, BBC Production Designer for Middlemarch. Comprising a pencil sketch of a white stag with moorland backdrop. Lea Rickard. From the estate of Mark Rickard, Art Lecturer, Stamford College, UK (1984-1997). c. 1993 .png 1 page Private collection of Lea Rickard. From the estate of Mark Rickard, Art Lecturer, Stamford College, UK (1984-1997). Rough pencil sketch of a portrait pictorial sign for a public house. In a bold graphic font the text reads 'The White Hart' at the top with 'Hotel' at the bottom. Between the text a seated hart with antlers sits facing to the right situated in rolling countryside with fields, trees and hedgerow.
PM-48 Yellow post-it note with recommended amendments to sketch of White Hart pictorial sign, from Production Designer, Gerry Scott, to the artist. Yellow post-it note on reverse of black-and-white sketch of the White Hart pictorial sign with handwritten notes from Gerry Scott to artist (?) Elaine on how to amend and finesse details of the backdrop so it looks more like a rich pastoral landscape. Lea Rickard, Library Manager, Stamford Library c. 1993 .png 1 page Private collection of Lea Rickard, Library Manager, Stamford Library, Lincolnshire Library Services A handwritten yellow post-it note from Production Designer Gerry Scott stuck to a plain white piece of paper. See Transcript.
PM-49 White Hart Hotel pictorial sign Colour artwork produced by Gerry Scott, BBC Production Designer for Middlemarch. Comprising a pencil sketch of a white stag with moorland backdrop. Lea Rickard. From the estate of Mark Rickard, Art Lecturer, Stamford College, UK (1984-1997). c. 1993 .png 1 page Private collection of Lea Rickard. From the estate of Mark Rickard, Art Lecturer, Stamford College, UK (1984-1997). Colour artwork of a portrait pictorial sign for a public house. In a bold graphic white font the text reads 'The White Hart' at the top. Beneath, a white seated hart with antlers sits facing to the right situated in rolling green countryside with fields, trees and hedgerow.
PM-50 Extract from , 'Letter to David Snodin from Andrew Davies' regarding Episode 1 Scene 1 Davies explains what the jewellery scene conveys about the personalities of the sisters, Dorothea and Celia. Andrew Davies, Screenwriter for Middlemarch 1991-07-10 .png half-page D/061/A/043/C/01 Letter to David Snodin from Andrew Davies, 10th Jul 1991. From D/061 Papers of Andrew Davies, Screenwriter. Held at De Montfort University, Leicester, UK. https://specialcollections.catalogue.dmu.ac.uk/records/D/061/A/043/C/01 Original, typed numbered letter to David Snodin from Andrew Davies.
PM-53 Transcript from a video interview with Brian Tufano, Lighting Cameraman for Middlemarch. Tufano explains how he designed the lighting for the Vincy breakfast scene. BBC Education Developments in association with the BFI c.1994 .png 1 page Screening Middlemarch: 19th Century Novel to 90s Television. James, C. and Bazalgette, C. (Eds.). VHS BBC (British Broadcasting Corporation) Education pack in association with the BFI (British Film Institute). 1994. Original typed document. See transcript.
PM-54 Lighting plan diagram created by Brian Tufano, Lighting Cameraman for Middlemarch. Diagram of the position and type of interior and exterior lights used for lighting the Vincys' drawing room and breakfast room. BBC Education Developments in association with the BFI c.1994 .png 1 page Screening Middlemarch: 19th Century Novel to 90s Television. James, C. and Bazalgette, C. (Eds.). VHS BBC (British Broadcasting Corporation) Education pack in association with the BFI (British Film Institute). 1994. Screen shot of a Computer Aided Design lighting diagram: blue background with white lines providing the outline of two rooms and furniture (breakfast table and chairs). Yellow lamp markers indicate where the lighting will be placed. Room 1: (two 6k bulbs facing the side of the table and shining through the windows, two facing two corners of the room pointed away from the table. The room on the right has two 12k lamps on the right facing a small table.
PM-55 Transcript extract from an interview with Andrew Davies, Screenwriter for Middlemarch, p.118. Davies discusses his approach to adapting the character of Mary Garth and the performance of Rachel Power, the actor who played her. BBC Education Developments in association with the BFI c 1993 .png 1page 432572 Transcripts of interviews with members of the cast and crew of Middlemarch (BBC/WGBH, 1994). Edited for the BBC (British Broadcasting Corporation) Educational Developments/BFI (British Film Institute) Education package Screening Middlemarch: 19th Century Novel to 90s Television. Held at BFI, London, UK. http://collections-search.bfi.org.uk/web/Details/ChoiceArchive/110008678 Original typed document. See transcript.
PM-56 Transcript extract from an interview with Andrew Davies on the making of Middlemarch, pp. 104-5 Davies discusses writing and camera techniques as well as the use of diegetic sound effects to signal the mental disorientation of characters. BBC Education Developments in association with the BFI c 1993 .png 1 page 432572 Transcripts of interviews with members of the cast and crew of Middlemarch (BBC/WGBH, 1994). Edited for the BBC (British Broadcasting Corporation) Educational Developments/BFI (British Film Institute) Education package Screening Middlemarch: 19th Century Novel to 90s Television. Held at BFI, London, UK. http://collections-search.bfi.org.uk/web/Details/ChoiceArchive/110008678 Original typed document. See transcript.
PM-66 Transcript extract from an interview with Christopher Gunning, Composer, Middlemarch Production Team, p. 8. Gunning describes how the music used to accompany scenes with Casaubon gets 'darker' as the story progresses. BBC Education Developments in association with the BFI c 1993 .png 1 page 432572 Transcripts of interviews with members of the cast and crew of Middlemarch (BBC/WGBH, 1994). Edited for the BBC (British Broadcasting Corporation) Educational Developments/BFI (British Film Institute) Education package Screening Middlemarch: 19th Century Novel to 90s Television. Held at BFI, London, UK. http://collections-search.bfi.org.uk/web/Details/ChoiceArchive/110008678 Original typed document. See transcript.
PM-67 Transcript extract from an interview with Christopher Gunning, Composer, Middlemarch Production Team, p. 19. Gunning describes the 'traditional' music used to accompany scenes featuring Fred and Mary. BBC Education Developments in association with the BFI c 1993 .png 1 page 432572 Transcripts of interviews with members of the cast and crew of Middlemarch (BBC/WGBH, 1994). Edited for the BBC (British Broadcasting Corporation) Educational Developments/BFI (British Film Institute) Education package Screening Middlemarch: 19th Century Novel to 90s Television. Held at BFI, London, UK. http://collections-search.bfi.org.uk/web/Details/ChoiceArchive/110008678 Original typed document. See transcript.
PM-68 Transcript extract from an interview with Christopher Gunning, Composer, Middlemarch Production Team, pp. 23-24. Gunning describes how the music used to accompany Lydgate's proposal to Rosamond begins with tones of sadness but ends with a sense of triumph while seamlessly moving into the title music. BBC Education Developments in association with the BFI c 1993 .png 2 page 432572 Transcripts of interviews with members of the cast and crew of Middlemarch (BBC/WGBH, 1994). Edited for the BBC (British Broadcasting Corporation) Educational Developments/BFI (British Film Institute) Education package Screening Middlemarch: 19th Century Novel to 90s Television. Held at BFI, London, UK. http://collections-search.bfi.org.uk/web/Details/ChoiceArchive/110008678 Original typed document. See transcript.
PM-69 Transcript extract from an interview with Douglas Hodge (Lydgate) Trevyn McGowan (Rosamond) and Middlemarch Director, Anthony Page. p. 33. Hodge describes his and McGowan's performances during the proposal scene, comparing it to Eliot's passage in the novel. BBC Education Developments in association with the BFI c 1993 .png 1 page 432572 Transcripts of interviews with members of the cast and crew of Middlemarch (BBC/WGBH, 1994). Edited for the BBC (British Broadcasting Corporation) Educational Developments/BFI (British Film Institute) Education package Screening Middlemarch: 19th Century Novel to 90s Television. Held at BFI, London, UK. http://collections-search.bfi.org.uk/web/Details/ChoiceArchive/110008678 Original typed document. See transcript.
PM-70 Transcript extract from an interview with Douglas Hodge (Lydgate) Trevyn McGowan (Rosamond) and Middlemarch Director, Anthony Page. pp. 41-42 Hodge describes how he and McGowan had already worked together before the filming of Middlemarch. BBC Education Developments in association with the BFI c 1993 .png 1 page 432572 Transcripts of interviews with members of the cast and crew of Middlemarch (BBC/WGBH, 1994). Edited for the BBC (British Broadcasting Corporation) Educational Developments/BFI (British Film Institute) Education package Screening Middlemarch: 19th Century Novel to 90s Television. Held at BFI, London, UK. http://collections-search.bfi.org.uk/web/Details/ChoiceArchive/110008678 Original typed document. See transcript.
PM-71 Transcript extract from an interview with Middlemarch Director, Anthony Page. p. 65. Page describes the challenges of portraying character psychology in terms of Dorothea and Casaubon's marital relationship. BBC Education Developments in association with the BFI c 1993 .png 1 page 432572 Transcripts of interviews with members of the cast and crew of Middlemarch (BBC/WGBH, 1994). Edited for the BBC (British Broadcasting Corporation) Educational Developments/BFI (British Film Institute) Education package Screening Middlemarch: 19th Century Novel to 90s Television. Held at BFI, London, UK. http://collections-search.bfi.org.uk/web/Details/ChoiceArchive/110008678 Original typed document. See transcript.
PM-72 Transcript extract from an interview with Andrew Davies, Screenwriter for Middlemarch, p. 91. Davies discusses the structure of the episodes and the need to write multiple versions in response to director and script writer theories and suggestions. BBC Education Developments in association with the BFI c 1993 .png 1 page 432572 Transcripts of interviews with members of the cast and crew of Middlemarch (BBC/WGBH, 1994). Edited for the BBC (British Broadcasting Corporation) Educational Developments/BFI (British Film Institute) Education package Screening Middlemarch: 19th Century Novel to 90s Television. Held at BFI, London, UK. http://collections-search.bfi.org.uk/web/Details/ChoiceArchive/110008678 Original typed document. See transcript.
PM-73 Transcript extract from an interview with Andrew Davies, Screenwriter for Middlemarch, p. 93 Davies discusses the essential work of omitting dialogue from the novel, despite occasional protests from actors. BBC Education Developments in association with the BFI c 1993 .png 1 page 432572 Transcripts of interviews with members of the cast and crew of Middlemarch (BBC/WGBH, 1994). Edited for the BBC (British Broadcasting Corporation) Educational Developments/BFI (British Film Institute) Education package Screening Middlemarch: 19th Century Novel to 90s Television. Held at BFI, London, UK. http://collections-search.bfi.org.uk/web/Details/ChoiceArchive/110008678 Original typed document. See transcript.
PM-74 Transcript extract from an interview with Andrew Davies, Screenwriter for Middlemarch, p. 96. Davies considers the role of a Script Editor in relation to the concept of the ideal, the diplomacy required and Suzie Conklin (Script Editor for Middlemarch). BBC Education Developments in association with the BFI c 1993 .png 1 page 432572 Transcripts of interviews with members of the cast and crew of Middlemarch (BBC/WGBH, 1994). Edited for the BBC (British Broadcasting Corporation) Educational Developments/BFI (British Film Institute) Education package Screening Middlemarch: 19th Century Novel to 90s Television. Held at BFI, London, UK. http://collections-search.bfi.org.uk/web/Details/ChoiceArchive/110008678 Original typed document. See transcript.
PM-75 Transcript extract from an interview with Andrew Davies, Screenwriter for Middlemarch, p. 96-97. Davies discusses Eliot's authorial voice in relation to a 20th century audience. BBC Education Developments in association with the BFI c 1993 .png 1 page 432572 Transcripts of interviews with members of the cast and crew of Middlemarch (BBC/WGBH, 1994). Edited for the BBC (British Broadcasting Corporation) Educational Developments/BFI (British Film Institute) Education package Screening Middlemarch: 19th Century Novel to 90s Television. Held at BFI, London, UK. http://collections-search.bfi.org.uk/web/Details/ChoiceArchive/110008678 Original typed document. See transcript.
PM-76 Transcript extract from an interview with Andrew Davies, Screenwriter for Middlemarch, p. 99. Davies discusses the visuals accompanying the voice-over during the finale, which were unknown to him at the time. BBC Education Developments in association with the BFI c 1993 .png 1 page 432572 Transcripts of interviews with members of the cast and crew of Middlemarch (BBC/WGBH, 1994). Edited for the BBC (British Broadcasting Corporation) Educational Developments/BFI (British Film Institute) Education package Screening Middlemarch: 19th Century Novel to 90s Television. Held at BFI, London, UK. http://collections-search.bfi.org.uk/web/Details/ChoiceArchive/110008678 Original typed document. See transcript.
PM-77 Transcript extract from an interview with Andrew Davies, Screenwriter for Middlemarch, p. 116. Davies discusses the challenges of adapting the intricacies of the Middlemarch plot and the need for character variety in relation to Ladislaw and Mrs Cadwallader. BBC Education Developments in association with the BFI c 1993 .png 1 page 432572 Transcripts of interviews with members of the cast and crew of Middlemarch (BBC/WGBH, 1994). Edited for the BBC (British Broadcasting Corporation) Educational Developments/BFI (British Film Institute) Education package Screening Middlemarch: 19th Century Novel to 90s Television. Held at BFI, London, UK. http://collections-search.bfi.org.uk/web/Details/ChoiceArchive/110008678 Original typed document. See transcript.
PM-78 Transcript extract from an interview with Middlemarch Director, Anthony Page. p. 39. Page discusses the significance of shooting sequence in relation to scenes with Dorothea and Ladislaw. BBC Education Developments in association with the BFI c 1993 .png 1 page 432572 Transcripts of interviews with members of the cast and crew of Middlemarch (BBC/WGBH, 1994). Edited for the BBC (British Broadcasting Corporation) Educational Developments/BFI (British Film Institute) Education package Screening Middlemarch: 19th Century Novel to 90s Television. Held at BFI, London, UK. http://collections-search.bfi.org.uk/web/Details/ChoiceArchive/110008678 Original typed document. See transcript.
PM-79 Transcript extract from an interview with Middlemarch Director, Anthony Page. pp. 66-67. Page reflects on the adaptation of Eliot's authorial voice, making the series more dramatic and less literary. BBC Education Developments in association with the BFI c 1993 .png 1 page 432572 Transcripts of interviews with members of the cast and crew of Middlemarch (BBC/WGBH, 1994). Edited for the BBC (British Broadcasting Corporation) Educational Developments/BFI (British Film Institute) Education package Screening Middlemarch: 19th Century Novel to 90s Television. Held at BFI, London, UK. http://collections-search.bfi.org.uk/web/Details/ChoiceArchive/110008678 Original typed document from an interview with Middlemarch Director, Anthony Page. pp. 66-67. See transcript.
PM-80 Transcript extract from an interview with Middlemarch Director, Anthony Page. p. 68. Page recalls the audition process whereby actors read from the novel which resulted in the chosen cast wanting to adapt the script. BBC Education Developments in association with the BFI c 1993 .png 1 page Screening Middlemarch: 19th Century Novel to 90s Television. James, C. and Bazalgette, C. (Eds.). VHS BBC (British Broadcasting Corporation) Education pack in association with the BFI (British Film Institute). 1994. Original typed document. See transcript.
PM-81 Transcript extract from an interview with Middlemarch Director, Anthony Page. p. 71. Page explains the challenges of casting Casaubon. BBC Education Developments in association with the BFI c 1993 .png 1 page 432572 Transcripts of interviews with members of the cast and crew of Middlemarch (BBC/WGBH, 1994). Edited for the BBC (British Broadcasting Corporation) Educational Developments/BFI (British Film Institute) Education package Screening Middlemarch: 19th Century Novel to 90s Television. Held at BFI, London, UK. http://collections-search.bfi.org.uk/web/Details/ChoiceArchive/110008678 Original typed document. See transcript.
PM-82 Transcript extract from an interview with Middlemarch Director, Anthony Page. p. 72. Page explains the challenges of casting Dorothea. BBC Education Developments in association with the BFI c 1993 .png 1 page 432572 Transcripts of interviews with members of the cast and crew of Middlemarch (BBC/WGBH, 1994). Edited for the BBC (British Broadcasting Corporation) Educational Developments/BFI (British Film Institute) Education package Screening Middlemarch: 19th Century Novel to 90s Television. Held at BFI, London, UK. http://collections-search.bfi.org.uk/web/Details/ChoiceArchive/110008678 Original typed document. See transcript.
PM-83 Transcript extract from an interview with Middlemarch Costume Designer, Anushia Nieradzik. p. 7. Nieradzik explains the first part of the process in her approach to designing costumes for each actor. BBC Education Developments in association with the BFI c 1993 .png 1 page 432572 Transcripts of interviews with members of the cast and crew of Middlemarch (BBC/WGBH, 1994). Edited for the BBC (British Broadcasting Corporation) Educational Developments/BFI (British Film Institute) Education package Screening Middlemarch: 19th Century Novel to 90s Television. Held at BFI, London, UK. http://collections-search.bfi.org.uk/web/Details/ChoiceArchive/110008678 Original typed document. See transcript.
PM-84 Transcript extract from an interview with Middlemarch Costume Designer, Anushia Nieradzik. p. 16. Nieradzik discusses the importance of balancing costume colours and textures in scenes with multiple actors. BBC Education Developments in association with the BFI c 1993 .png 1 page 432572 Transcripts of interviews with members of the cast and crew of Middlemarch (BBC/WGBH, 1994). Edited for the BBC (British Broadcasting Corporation) Educational Developments/BFI (British Film Institute) Education package Screening Middlemarch: 19th Century Novel to 90s Television. Held at BFI, London, UK. http://collections-search.bfi.org.uk/web/Details/ChoiceArchive/110008678 Original typed document. See transcript.
PM-85 Transcript extract from an interview with Middlemarch Costume Designer, Anushia Nieradzik. p. 17. Nieradzik explains how she works with set designers to develop an approach where costumes complement architecture and interior designs. BBC Education Developments in association with the BFI c 1993 .png 1 page 432572 Transcripts of interviews with members of the cast and crew of Middlemarch (BBC/WGBH, 1994). Edited for the BBC (British Broadcasting Corporation) Educational Developments/BFI (British Film Institute) Education package Screening Middlemarch: 19th Century Novel to 90s Television. Held at BFI, London, UK. http://collections-search.bfi.org.uk/web/Details/ChoiceArchive/110008678 Original typed document. See transcript.
PM-86 Transcript extract from an interview with Middlemarch Production Designer, Gerry Scott. p. 10. Scott explains her approach to managing set design in terms of location development, construction, props and budget. BBC Education Developments in association with the BFI c 1993 .png 1 page 432572 Transcripts of interviews with members of the cast and crew of Middlemarch (BBC/WGBH, 1994). Edited for the BBC (British Broadcasting Corporation) Educational Developments/BFI (British Film Institute) Education package Screening Middlemarch: 19th Century Novel to 90s Television. Held at BFI, London, UK. http://collections-search.bfi.org.uk/web/Details/ChoiceArchive/110008678 Original typed document. See transcript.
PM-87 Transcript extract from an interview with Middlemarch Production Designer, Gerry Scott. p. 12. Scott explains the work needed on exterior locations to create a convincing period set in terms of constructing additional features while obscuring modern detail. BBC Education Developments in association with the BFI c 1993 .png 1 page 432572 Transcripts of interviews with members of the cast and crew of Middlemarch (BBC/WGBH, 1994). Edited for the BBC (British Broadcasting Corporation) Educational Developments/BFI (British Film Institute) Education package Screening Middlemarch: 19th Century Novel to 90s Television. Held at BFI, London, UK. http://collections-search.bfi.org.uk/web/Details/ChoiceArchive/110008678 Original typed document. See transcript.
PM-88 Transcript extract from an interview with Middlemarch Production Designer, Gerry Scott. p. 14-15. Scott discusses the construction of three interior sets: the Old Hospital, Lydgate's House and the Green Dragon Inn. BBC Education Developments in association with the BFI c 1993 .png 1 page 432572 Transcripts of interviews with members of the cast and crew of Middlemarch (BBC/WGBH, 1994). Edited for the BBC (British Broadcasting Corporation) Educational Developments/BFI (British Film Institute) Education package Screening Middlemarch: 19th Century Novel to 90s Television. Held at BFI, London, UK. http://collections-search.bfi.org.uk/web/Details/ChoiceArchive/110008678 Original typed document. See transcript.
PM-89 Transcript extract from an interview with Middlemarch Production Designer, Gerry Scott. p. 20-21. Scott describes her ethos towards creating period sets in relation to the concept of historical accuracy. BBC Education Developments in association with the BFI c 1993 .png 1 page 432572 Transcripts of interviews with members of the cast and crew of Middlemarch (BBC/WGBH, 1994). Edited for the BBC (British Broadcasting Corporation) Educational Developments/BFI (British Film Institute) Education package Screening Middlemarch: 19th Century Novel to 90s Television. Held at BFI, London, UK. http://collections-search.bfi.org.uk/web/Details/ChoiceArchive/110008678 Original typed document. See transcript.
PM-90 Transcript extract from an interview with Middlemarch Production Designer, Gerry Scott. pp. 29-30 Scott describes how set colour choices are inspired by the characters that supposedly inhabit them in relation to the Vincys. BBC Education Developments in association with the BFI c 1993 .png 1 page 432572 Transcripts of interviews with members of the cast and crew of Middlemarch (BBC/WGBH, 1994). Edited for the BBC (British Broadcasting Corporation) Educational Developments/BFI (British Film Institute) Education package Screening Middlemarch: 19th Century Novel to 90s Television. Held at BFI, London, UK. http://collections-search.bfi.org.uk/web/Details/ChoiceArchive/110008678 Original typed document. See transcript.
PM-91 Block 2 filming script cover page Illustrated cover page with filming schedule dates. Block 2: 1st May-15th June, 1993. Susie Conklin, Script Editor for Middlemarch 1993-04 .png 1 page Private Collection of Susie Conklin, Script Editor for Middlemarch, 1994. Original script cover page. Main text reads: Middlemarch Your 6 week Filming Guide. Block 2: 1st May-15th June, 1993. Yellow paper with black line photocopied illustration and text set out in the style of a magazine cover page. Priced at £6.5m. Image of Director, Anthony Page's face features in the centre with an image of Suzie Conklin wearing Mrs Cadwallader's costume can be seen in the top left. Sample 'feature' text reads: Stone Court Exclusive Lowick Presentation and Rosamond Sings the Blues.
PM-92 Block 3 filming script cover page Illustrated cover page with filming schedule dates. Block 3: 4th July-26th August, 1993. Susie Conklin, Script Editor for Middlemarch c 1993-06 .png 1 page Private Collection of Susie Conklin, Script Editor for Middlemarch, 1994. Original script cover page. Main text at the top reads: 'Middlemarch, The Final Chapter'. Text at the bottom reads. 'Block 3 Schedule - 4 July-26 Aug '93': 1st March-9th April, 1993. White paper with black line photocopied cartoon illustration of a crucifixion hill with crew members carrying their crosses through wrought iron gates. Three crew members in a row in the background have already been crucified. In the foreground on the right outside of the gates a manned stall selling crosses attends to a queue. Signs on the stall read: 'Unit Crucifixes on sale' and 'Deposit on hammers required.' On the left a sign pointing to the crucifixion hill reads 'Unit' with a vulture perched on top.
PM-93 The Pioneer office sign design Produced by Gerry Scott, BBC Production Designer for Middlemarch. Black and white photocopy. Stamford Museum (1980-2011) c 1993 .png 1 page Uncatalogued. Lincolnshire Museums Collections, UK Colour photograph of sign design. Black ink on white paper with annotations in pen and pencil. Sign reads, 'The Pioneer' in bold capitalised serif lettering. The long rectangular sign has a bevelled edge with dimensions 340mm X 2400mm. The base of the sign behind the lettering has been partially coloured on the left in a reddish brown. Handwritten annotations read: 'Sign for newspaper office. Base - paler version of Etruscan Red. Lettering - cream outlined black.'
PM-94 Transcript from a video interview with Brian Tufano, Lighting Cameraman for Middlemarch. P. 29. Tufano explains the idea of creating a visual narrative to accompany the dialogue in relation to the lighting of the jewellery scene with Dorothea and Celia. BBC Education Developments in association with the BFI c 1993 .png 1 page 432572 Transcripts of interviews with members of the cast and crew of Middlemarch (BBC/WGBH, 1994). Edited for the BBC (British Broadcasting Corporation) Educational Developments/BFI (British Film Institute) Education package Screening Middlemarch: 19th Century Novel to 90s Television. Held at BFI, London, UK. http://collections-search.bfi.org.uk/web/Details/ChoiceArchive/110008678 Original typed document. See transcript.
PM-95 Transcript from a video interview with Brian Tufano, Lighting Cameraman for Middlemarch. p. 29. Tufano reflects on the power of cinematography in relation to the scene where Dorothea and Celia are horse riding. BBC Education Developments in association with the BFI c 1993 .png 1 page 432572 Transcripts of interviews with members of the cast and crew of Middlemarch (BBC/WGBH, 1994). Edited for the BBC (British Broadcasting Corporation) Educational Developments/BFI (British Film Institute) Education package Screening Middlemarch: 19th Century Novel to 90s Television. Held at BFI, London, UK. http://collections-search.bfi.org.uk/web/Details/ChoiceArchive/110008678 Original typed document. See transcript.
PM-96 Transcript from a video interview with Brian Tufano, Lighting Cameraman for Middlemarch. p. 30. Tufano discusses the importance of location in relation to the decision to use Brympton d'Evercy Manor House as Casaubon's residence, Lowick Hall. BBC Education Developments in association with the BFI c 1993 .png 1 page 432572 Transcripts of interviews with members of the cast and crew of Middlemarch (BBC/WGBH, 1994). Edited for the BBC (British Broadcasting Corporation) Educational Developments/BFI (British Film Institute) Education package Screening Middlemarch: 19th Century Novel to 90s Television. Held at BFI, London, UK. http://collections-search.bfi.org.uk/web/Details/ChoiceArchive/110008678 Original typed document. See transcript.
PM-97 Transcript from a video interview with Brian Tufano, Lighting Cameraman for Middlemarch. pp. 31-32. Tufano explains the importance of storyboarding complex scenes in relation to the moment when Fred Vincy intervenes in a dispute between the Railway Surveyors and farm labourers. BBC Education Developments in association with the BFI c 1993 .png 1 page 432572 Transcripts of interviews with members of the cast and crew of Middlemarch (BBC/WGBH, 1994). Edited for the BBC (British Broadcasting Corporation) Educational Developments/BFI (British Film Institute) Education package Screening Middlemarch: 19th Century Novel to 90s Television. Held at BFI, London, UK. http://collections-search.bfi.org.uk/web/Details/ChoiceArchive/110008678 Original typed document. See transcript.
PM-98 Transcript from a video interview with Brian Tufano, Lighting Cameraman for Middlemarch. pp. 11-17. Tufano discusses how lighting can emphasise character and location attributes in relation to Dorothea working in the library with Casaubon. BBC Education Developments in association with the BFI c 1993 .png 1 page 432572 Transcripts of interviews with members of the cast and crew of Middlemarch (BBC/WGBH, 1994). Edited for the BBC (British Broadcasting Corporation) Educational Developments/BFI (British Film Institute) Education package Screening Middlemarch: 19th Century Novel to 90s Television. Held at BFI, London, UK. http://collections-search.bfi.org.uk/web/Details/ChoiceArchive/110008678 Original typed document. See transcript.
PM-99 Notes onEpisode 3 by Andrew Davies sent to David Snodin. Davies describes which elements of the novel he proposes to include in Episode 3. Andrew Davies, Screenwriter for Middlemarch 1991-09 .png 3 D/061/A/043/A/02 Notes scoping out Episode 3 for David Snodin by Andrew Davies c. Sept 1991. From D/061 Papers of Andrew Davies, Screenwriter. Held at De Montfort University, Leicester, UK. https://specialcollections.catalogue.dmu.ac.uk/records/D/061/A/043/A/02 Original typed document. See transcript.
PM-100 Extract from letter to Michael Wearing, Head of BBC Drama serials from Andrew Davies. Davies explains his overall vision for adapting Middlemarch for television Andrew Davies, Screenwriter for Middlemarch 1991-09 .png 0.5 D/061/A/043/C/05 Letter to Michael Wearing from Andrew Davies, 26th Sept 1991. From D/061 Papers of Andrew Davies, Screenwriter. Held at De Montfort University, Leicester, UK. https://specialcollections.catalogue.dmu.ac.uk/records/D/061/A/043/C/05 Original typed document. See transcript.