DOUG (LIDGATE): It helps enormously to have worked with Trevyn before um, just because you're more relaxed with each other and you know each other's ways of working and um, it's, and you have a, a kind of shorthand, you, instead of kind of meeting someone on the first day and er, having to sort of get to know them and worry that you're offending them all the time you know, we know each other

(Page 42, cont.)

very well so it's, it, there is a kind of quicker route to you know discovering things about the scenes and also we're more, we're very relaxed with each other.

Additional notes in pen and pencil:

Annotation 1: On page 41, a pen line surrounds the type-written text from the top right corner anti-clockwise, omitting "DOUG (LIDGATE):". This line carries on into the next page, surrounding the text, and finishes on the bottom line on the right.

Annotation 2: On page 42, in pencil, there are more lines, surrounding the text "It helps...shorthand." it continues to the end of the line and stops on the right.

Annotation 3: On page 41, to the left of the text, in pencil, the handwritten note is written "10th". Beneath that a tick, followed by a "?".

Annotation 4: Beneath Annotation 3, in pen, the handwritten words "Part 5" are written in.

Ref code: PM-70 Title: Transcript extract from an interview with Douglas Hodge (Lydgate) Trevyn McGowan (Rosamond and Middlemarch Director, Anthony Page. Pp.41-42 Date: 1993 Format: .png Source: ITM-7963 Transcripts of interviews with members of the cast and crew of Middlemarch (BBC/WGBH, 1994). Edited for the BBC (British Broadcasting Corporation) Educational Developments/BFI (British Film Institute) Education package Screening Middlemarch: 19th Century Novel to 90s Television. Held at BFI, London, UK. http://collections-search.bfi.org.uk/web/Details/ChoiceArchive/110008677