INTERVIEW: Were you trying to express something about Cazabon's character with these dark ...... in terms of building up, structuring the conversation or the interchange?

CHRIS GUNNING: Yes thr, throughout the Cazabon story, um I think the musical colours become darker and darker as he becomes more and more doom-laiden. Um, I'm not sure that he's ever light, but he certainly does get an awful lot darker as the story progresses, um, and um, and yes um from episode two onwards, where you see his uncertainly for instance in the library, that's where the really dark colours start up, um, and ...

Additional notes in pencil:

Annotation 1: Within Chris Gunning's speech, there is a shape encompassing the words "throughout...doom-laiden" drawn in pencil. To the left of this shape, the hand-written words "Part 3" are written.

Ref code: PM-66 Title: Transcript extract from an interview with Christopher Gunning, Composer, Middlemarch Production Team, p. 8. Date: 1993 Format: .png Source: : ITM-7963 Transcripts of interviews with members of the cast and crew of Middlemarch (BBC/WGBH, 1994). Edited for the BBC (British Broadcasting Corporation) Educational Developments/BFI (British Film Institute) Education package Screening Middlemarch: 19th Century Novel to 90s Television. Held at BFI, London, UK. http://collections-search.bfi.org.uk/web/Details/ChoiceArchive/110008678