going in close on, on the objects while she was handling them, and seeing the light reflected on her face, and I think that um, wha what you're trying to do is convey to the audience what is in um the person's mind or in the person's character, at that time. It's it's, what it is it's um, I always refer to it refer to it as a visual narrative, you're, you're moving along the written narrative by using pictures to strengthen that, str, to strengthen the dialogue.

Additional Notes in Pen:

Annotation 1: There are pen lines going down the left side and around the bottom width of the type-written text.

Ref Code: PM-94 Title: Transcript from a video interview with Brian Tufano, Lighting Cameraman for Middlemarch, p. 29, in which he explains the idea of creating a visual narrative through lighting. Date: 1993 Format: .png Source: ITM-7963 Transcripts of interviews with members of the cast and crew of Middlemarch (BBC/WGBH, 1994). Edited for the BBC (British Broadcasting Corporation) Educational Developments/BFI (British Film Institute) Education package Screening Middlemarch: 19th Century Novel to 90s Television. Held at BFI, London, UK. http://collections-search.bfi.org.uk/web/Details/ChoiceArchive/110008677