I try and get information from the set designer quite early on, from their reccies, they usually have photographs and also er, pictorial reference of the architecture and the style of interior um, and as soon as I can I try and get the colouring of wallpapers or the colouring of interiors and sometimes it's not possible so um, I tend to hold back as long as I can um, usually it works quite well.

Additional notes in pen:

Annotation 1: In pen, there are lines drawn surrounding the entire text. In the top right-hand corner of the text, the hand-written number '7' is written and circled.

Annotation 2: To the left-hand side of the text, 'Part 4' is written. In the bottom left corner of the text, the words 'go on to top 19' are hand-written.

Annotation 3: In the top left-hand corner of the text, the numbers '02.16.21' are hand-written. Above the word 'interior' on the fourth line, the numbers '16.34' are hand-written. Above the words 'interiors and' on the sixth line, the numbers '16.42' are written. Below the words 'I can' on the seventh line, the numbers '16.49' are hand-written.

Ref Code: PM-85 Title: Transcript extract from an interview with Middlemarch Costume Designer, Anushia Nieradzik. p. 17. Date: 1993 Format: .png Source: ITM-7963 Transcripts of interviews with members of the cast and crew of Middlemarch (BBC/WGBH, 1994). Edited for the BBC (British Broadcasting Corporation) Educational Developments/BFI (British Film Institute) Education package Screening Middlemarch: 19th Century Novel to 90s Television. Held at BFI, London, UK. http://collections-search.bfi.org.uk/web/Details/ChoiceArchive/110008677