I think ... was the most difficult part to cast and we did read many people for it. I mean the problem was to get someone with a sort of um, feeling of aridity and um, kind of reclusive, selfishness but also to be attractive enough for, for a young girl to really feel a marriage could work and it was very difficult getting him because all the dates clashed, we had to change a lot of the schedule but I thought he was much the, the best casting so that we had to bend a lot of things to make that happen. Um, the younger people, really

Additional notes in pen:

Annotation 1: A pen line encompassing the text from the beginning to the words 'marriage could work' is drawn. It begins from the top right, clockwise around the block of text then through the eighth line.

Annotation 2: There is an asterisk (*) drawn before the '...' on the first line, with a hand-written note written 'Casaubon' above it.

Annotation 3: To the left of the text, the hand-written words 'Part 5' are written.

Ref Code: PM-81 Title: Transcript extract from an interview with Middlemarch Director, Anthony Page. p. 71. Date: 1993 Format: .png Source: ITM-7963 Transcripts of interviews with members of the cast and crew of Middlemarch (BBC/WGBH, 1994). Edited for the BBC (British Broadcasting Corporation) Educational Developments/BFI (British Film Institute) Education package Screening Middlemarch: 19th Century Novel to 90s Television. Held at BFI, London, UK. http://collections-search.bfi.org.uk/web/Details/ChoiceArchive/110008677