most of the old ones away but, but look there's about er, there's about 20 complete scripts there which represent about 4 complete drafts. At one time I had a, a disagreement with er, with er, Louis Marks and Suzie Chapman about the way the construction episodes 4 and 5 would do and I did two complete different versions of episodes 4 and 5 constructed in completely different ways in order to demonstrate to them that their idea was not as good as my idea. So, so it was like you've got scripts in there called Davis version 2 and Marks/Chapman version er, you know to, to, which, which were both perfectly viable versions, they, they both would work and that, that, that's the way you go and it was lovely doing it. I mean I, I'm, I'm sorry I've stopped in a way I mean it was just, it was just lovely going to work and thinking of different ways of doing it.

Additional notes in pen:

Annotation 1: In pen, a lie is drawn on the left-hand margin of the text, from the first line to the twelfth line. Another line is drawn across the page, spanning the width of the line, separating the text.

Annotation 2: On the left-hand margin of the text, the words 'Part 3' are written.

Annotation 3: A dotted line surrounds the sentence ending '...complete drafts.' Separating it from the next sentence beginning 'At one time...'.

Ref Code: PM-72 Title: Transcript extract from an interview with Andrew Davies, Screenwriter for Middlemarch, p. 91. Date: 1993 Format: .png Source: ITM-7963 Transcripts of interviews with members of the cast and crew of Middlemarch (BBC/WGBH, 1994). Edited for the BBC (British Broadcasting Corporation) Educational Developments/BFI (British Film Institute) Education package Screening Middlemarch: 19th Century Novel to 90s Television. Held at BFI, London, UK. http://collections-search.bfi.org.uk/web/Details/ChoiceArchive/110008677